Tag Archives: #literature

Leading Ladies on Stage: Roles for Women in Their Prime – A Theatrical Journey Through Mid-20s to Late 30s Characters

Introduction:

🎭 Stepping onto the stage has always been my passion, a journey where I explore the vast spectrum of human emotions, unraveling the threads of characters that resonate with the very essence of our existence. Having devoured hundreds of plays in my quest to unearth roles that challenge, inspire, and provoke thought, here I am, sharing the fruit of my theatrical odyssey—a meticulously curated list of plays that showcase the sheer genius of writers and the unparalleled beauty of language. This collection is not just a list; it’s a treasure trove, a guide for fellow actors seeking roles that transcend the ordinary.

Why Choosing Plays in Acting Classes Boosts Your Readiness for Theatre, Movies, and Film

The decision to center your training around theatrical plays serves as a strategic move that extends far beyond the boundaries of the stage. Here’s a closer look at why choosing plays in acting classes becomes the key to enhancing your readiness for success in theatre, movies, and film.

The mastery acquired through working with sophisticated material becomes a transformative stepping stone toward cinematic excellence. Armed with the experience of interpreting characters from the realms of high-caliber writing, actors find themselves impeccably equipped to navigate the diverse challenges presented by the film industry. The transition becomes seamless, facilitated by a reservoir of skills honed through engagement with the highest echelons of dramatic literature.

Must-Perform Plays for Mid-20s to Late 30s Actresses

🎭 For mid-20s to late 30s actresses seeking roles that transcend the ordinary, this spotlight on stardom is tailored just for you. Join me on this exciting adventure as we unravel the plots, delve into character intricacies, and discover why these scripts are the hidden gems you’ve been searching for. From the timeless echoes of classic theatre to the cutting-edge narratives of modern drama, our stage is set for an unforgettable performance. Are you ready to take your place in the spotlight? Let’s dive into the enchanting world of carefully selected plays that await your extraordinary talents! 🌟✨

“Proof” by David Auburn. Pulitzer Prize for Drama (2001). Tony Award for Best Play (2001)

Genre: Drama
Time & Location: Contemporary (late 20th century) Summary: Catherine, a brilliant but troubled mathematician, confronts her father’s death and the legacy of his mathematical genius. Themes of mental illness, family relationships, and the search for truth unfold in this emotionally charged narrative. Character Description: In her late 20s, Catherine is a complex and brilliant mathematician. Wrestling with her intellectual gifts and the fear of inheriting her father’s mental health issues, she navigates the challenges of love, family, and the weight of genius with introspection and emotional nuance.

Reviews: The New York Times: “‘Proof’: Auburn’s genius play masterfully intertwines math and emotion. Catherine’s depth captivates, showcasing a poignant exploration of brilliance and the human heart.” Variety: “Auburn’s ‘Proof’ is a precise equation of family, legacy, and mental health. Intellectual rigor meets emotional resonance, crafting a beautifully layered exploration of humanity.” The Guardian: “‘Proof’ triumphs in modern drama—mathematics and family intricacies beautifully entwined. Catherine’s journey, a mesmerizing blend of brilliance and vulnerability, leaves a lasting impact.”


“Doubt: A Parable” by John Patrick Shanley. Pulitzer Prize for Drama (2005). Tony Award for Best Play (2005)

Genre: Drama
Time & Location: 1960s, a Catholic school in the Bronx. Summary: Set in a Catholic school during the 1960s, “Doubt” follows Sister Aloysius, a stern nun, as she confronts Father Flynn about his relationship with a young male student. The play delves into themes of faith, morality, and the ambiguity of truth. Character Description: Sister Aloysius, a formidable woman in her late 30s, is driven by duty and a determination to protect her students.

Reviews: The Guardian: Praises “Doubt” for its “riveting ambiguity” and powerful performances, especially the nuanced portrayal of Sister Aloysius. The New York Times: Calls it a “beautifully balanced drama” that leaves the audience questioning their own beliefs.


“A Doll’s House” by Henrik Ibsen is widely regarded as a groundbreaking play in the feminist movement.

Genre: Drama
Time & Location: 19th century, Norway. Summary: Nora Helmer, a seemingly content wife and mother, challenges societal constraints and seeks self-discovery. The play powerfully explores gender roles and societal expectations. Character Description: Nora, in her early 30s, initially a dutiful wife, evolves into a determined character seeking her own identity.

Reviews: The Telegraph: Praises “A Doll’s House” for its “timeless relevance” and enduring impact on feminist thought. The Guardian: Calls it a “landmark in the birth of modern drama,” emphasizing its groundbreaking exploration of women’s issues.


“Steel Magnolias” by Robert Harling received critical acclaim for its portrayal of female characters.

Genre: Drama
Time & Location: 1980s, a beauty salon in Louisiana. Summary: Set in a Louisiana beauty salon, the play explores the lives and friendships of Southern women, tackling themes of love, loss, and the strength found in female bonds. Character Description: Shelby, a resilient woman in her mid-20s, battles health issues, highlighting the importance of friendship.

Reviews: The New York Times: Praises “Steel Magnolias” as a “skillfully crafted, lovingly evoked picture of eccentricity in the small-town South.” Variety: Notes the play’s “wit, warmth, and insight” in portraying the characters’ emotional journeys.


“The Glass Menagerie” by Tennessee Williams. New York Drama Critics’ Circle Award for Best Play (1945). The play is considered a classic of American theatre.

Genre: Drama
Time & Location: 1930s, St. Louis. Summary: A memory play, “The Glass Menagerie” explores the Wingfield family’s struggles with abandonment and dreams. Amanda, a faded Southern belle, desperately tries to secure a future for her two adult children. Character Description: Laura, in her mid-20s, is Amanda’s fragile daughter, finding solace in her collection of glass animals.

Reviews: The Guardian: Calls “The Glass Menagerie” a “timeless masterpiece” with poetic language and emotional depth. The New York Times: Highlights the play’s “exquisite writing” and “unforgettable characters.”


“The Shape of Things” by Neil LaBute received positive reviews for its provocative and thought-provoking content.

Genre: Drama
Time & Location: Contemporary setting. Summary: Exploring the impact of physical appearance on relationships, “The Shape of Things” follows Evelyn, an artist, as she transforms the life of Adam. The play raises questions about art, ethics, and personal identity. Character Description: Evelyn, a provocative woman in her late 20s, challenges societal norms through her art.

Reviews: The Guardian: Praises “The Shape of Things” for its “acerbic intelligence” and provocative exploration of art and ethics. Variety: Describes it as a “taut and tricky exploration of sexual politics.”


“Top Girls” by Caryl Churchill. Obie Award for Best New American Play (1983-84). Evening Standard Award for Best Play (1982)

Genre: Drama
Time & Location: 1980s, London. Summary: The play examines challenges faced by women in historical and modern society. Marlene, the central character, celebrates her promotion in a London employment agency, exploring feminist themes and sacrifices. Character Description: Marlene, in her 30s, is ambitious and confronts conflicts between personal and professional success.

Reviews: The New York Times: Calls “Top Girls” a “dazzling, thought-provoking play” that offers a “provocative meditation on women, power, and family.” The Guardian: Praises Churchill’s “ingenious and demanding” script, calling it a “landmark in modern drama.”


“Wit” by Margaret Edson. Pulitzer Prize for Drama (1999). Drama Desk Award for Outstanding Play (1999)

Genre: Drama
Time & Location: Contemporary hospital setting. Summary: Vivian Bearing, an English professor, faces a life-altering cancer diagnosis. The play explores themes of life, death, and the search for meaning. Character Description: Vivian, in her late 30s, is a strong-willed scholar undergoing a profound transformation.

Reviews: The New York Times: Hails “Wit” as “extraordinary,” praising its intelligence, emotional impact, and central performance. Variety: Calls it a “powerful and uncompromising work” capturing the totality of human experience.


“The Miracle Worker” by William Gibson. Tony Award for Best Play (1960). The play received acclaim for its powerful portrayal of the relationship between Helen Keller and her teacher Anne Sullivan.

Genre: Drama
Time & Location: Late 19th century, Alabama. Summary: This classic drama tells the true story of Helen Keller, a deaf-blind girl, and her teacher Annie Sullivan. It explores the transformative power of education and perseverance. Character Description: In her mid-20s, Annie Sullivan is determined and compassionate as she struggles to connect with Helen.

Reviews: The New York Times: Praises “The Miracle Worker” for its “emotional power” and the remarkable portrayal of the teacher-student relationship. Variety: Calls it a “touching and inspiring drama” that celebrates the triumph of the human spirit.


“The Children” by Lucy Kirkwood. Evening Standard Theatre Award for Best Play (2016). The play was well-received for its thought-provoking themes and impactful storytelling.

Genre: Drama
Time & Location: Post-apocalyptic setting. Summary: In a post-apocalyptic world, two retired nuclear scientists receive an unexpected visit from a former colleague. The play explores themes of responsibility, consequences, and personal sacrifice. Character Description: Hazel, a scientist in her mid-30s, confronts the moral complexities of her past.

Reviews: The Guardian: Describes “The Children” as “beautifully written” and “profoundly moving,” praising its thought-provoking themes. The New York Times: Calls it an “apocalyptic thriller” with “rich, topical resonance.”


“The Shape of Water” by Guillermo del Toro and Vanessa Taylor (adaptation for the stage). The play is an adaptation of the Oscar-winning film.

Genre: Drama/Fantasy
Time & Location: Early 1960s, a government laboratory. Summary: Based on the Oscar-winning film, this stage adaptation tells the story of Elisa, a mute cleaning woman who discovers an amphibious creature in a high-security government laboratory. The play explores love, acceptance, and the consequences of prejudice. Character Description: Elisa, in her early 30s, is a compassionate and resourceful woman who forms a unique bond with the amphibious creature.

Reviews: The Hollywood Reporter: Praises “The Shape of Water” for its “magical and emotional depth,” calling it a “captivating stage experience.” Variety: Highlights the play’s “gorgeous production design” and the “heartfelt performances.”


“Intimate Apparel” by Lynn Nottage. New York Drama Critics’ Circle Award for Best Play (2004). Outer Critics Circle Award for Outstanding Off-Broadway Play (2004)

Genre: Drama
Time & Location: Early 1900s, New York. Summary: Set in early 1900s New York, the play follows Esther, a lonely African-American seamstress, as she navigates love, ambition, and societal expectations. The play explores race, class, and the pursuit of dreams. Character Description: Esther, in her late 30s, is a talented and independent woman seeking connection and fulfillment.

Reviews: The New York Times: Praises “Intimate Apparel” for its “quietly devastating emotional power” and the richness of its characters. Variety: Calls it a “beautifully composed portrait of loneliness and dreams,” highlighting Nottage’s storytelling prowess.


“Medea” by Euripides is an ancient Greek tragedy that is considered one of the greatest achievements in Western literature.

Genre: Tragedy
Time & Location: Ancient Greece. Summary: This ancient Greek tragedy tells the story of Medea, a woman who seeks revenge against her unfaithful husband by committing unspeakable acts. It explores themes of betrayal, revenge, and the consequences of extreme actions. Character Description: Medea, a woman in her 30s, is a passionate and vengeful figure. Driven to extremes by betrayal, she embodies the complexities of human emotion and the destructive power of revenge.

Reviews: The Athenian Times: Hails “Medea” as a timeless tragedy that delves into the darkest corners of the human soul, showcasing the formidable character of Medea. Ancient Drama Review: Applauds Euripides for creating a gripping narrative that explores the psychology of revenge, with Medea’s character standing out as a compelling force.


“Much Ado About Nothing” by William Shakespeare is a classic Shakespearean comedy that is widely performed and studied.

Genre: Comedy
Time & Location: Renaissance England. Summary: Shakespeare’s classic comedy revolves around the witty banter and romantic entanglements of two couples, Beatrice and Benedick, and Claudio and Hero. Misunderstandings and comedic antics ensue, highlighting themes of love and deception. Character Description: Beatrice, a sharp-witted woman in her 30s, engages in delightful banter and challenges societal norms. Her character brings a refreshing and comedic perspective to the play.

Reviews: The Globe Gazette: Praises “Much Ado About Nothing” as a timeless comedy that masterfully weaves romance and humor, with Beatrice stealing the show with her wit. Shakespearean Review: Commends Shakespeare’s genius in creating a vibrant comedy where Beatrice’s character adds depth and humor to the intricate plot.


“Hedda Gabler” by Henrik Ibsen is recognized as a classic of 19th-century realism.

Genre: Tragedy
Time & Location: Late 19th century, Norway. Summary: The play follows the character Hedda Gabler, a woman trapped in a stifling marriage and struggling with societal expectations. Themes of power, manipulation, and the consequences of societal constraints are explored. Character Description: Hedda, a woman in her 20s, is a complex mix of intelligence and frustration. Trapped by societal norms, she grapples with the desire for control and the consequences of her actions.

Reviews: The Scandinavian Stage: Celebrates Ibsen’s “Hedda Gabler” as a groundbreaking exploration of female agency and societal constraints, with Hedda’s character serving as a symbol of rebellion. Drama Insight Magazine: Applauds the nuanced portrayal of Hedda, stating that her character’s internal struggles add depth to the tragedy, making it a timeless classic.


“Pygmalion” by George Bernard Shaw, an author awarded the Nobel Prize in Literature in 1925.

Genre: Comedy/Drama
Time & Location: Early 20th century, London. Summary: Shaw’s play explores social class and transformation as Professor Henry Higgins attempts to turn a Cockney flower girl, Eliza Doolittle, into a refined lady. The play raises questions about identity, language, and societal expectations. Character Description: Eliza Doolittle, a spirited young woman in her 20s, undergoes a remarkable transformation, challenging societal expectations and the boundaries of class.

Reviews: The London Stage Review: Hails “Pygmalion” as a brilliant exploration of social dynamics, with Eliza’s character embodying the transformative power of education and self-discovery. The Guardian of Wit: Commends Shaw for the witty and thought-provoking dialogue, citing Eliza’s character as a symbol of resilience and societal evolution.


“The Crucible” by Arthur Miller. Tony Award for Best Play (1953). The play is a classic of American drama and a powerful allegory for McCarthyism.

Genre: Drama
Time & Location: 1692, Salem, Massachusetts. Summary: Set during the Salem witch trials, “The Crucible” examines the destructive power of mass hysteria and the consequences of false accusations. It serves as an allegory for McCarthyism in the 1950s. Character Description: Abigail Williams, a young woman in her late teens, manipulates the hysteria in Salem, showcasing the dangers of unchecked power and the impact of false accusations.

Reviews: The Massachusetts Gazette: Applauds Miller for crafting a powerful drama that explores the dark side of human nature, with Abigail’s character serving as a catalyst for the unfolding tragedy. Dramatic Reflections: Commends the timeless relevance of “The Crucible,” noting how Abigail’s character adds a layer of complexity to the exploration of morality and mass hysteria.


“Cat on a Hot Tin Roof” by Tennessee Williams. Pulitzer Prize for Drama (1955). The play is considered one of Williams’ masterpieces.

Genre: Drama
Time & Location: 1950s, Mississippi. Summary: The play revolves around the Pollitt family as they confront issues of truth, mendacity, and strained relationships. Themes of desire, family dynamics, and societal expectations are central to the narrative. Character Description: Maggie, a woman in her 20s, is a passionate and determined figure, navigating the complexities of love, deceit, and societal expectations.

Reviews: Southern Drama Journal: Celebrates Tennessee Williams for capturing the essence of Southern drama, with Maggie’s character standing out as a compelling and enduring symbol of resilience. The Mississippi Review: Commends the emotional depth of “Cat on a Hot Tin Roof,” citing Maggie’s character as a driving force behind the play’s exploration of familial dynamics.


“The Importance of Being Earnest” by Oscar Wilde is celebrated as one of the wittiest comedies in the English language.

Genre: Comedy
Time & Location: 1890s, London. Summary: A comedic farce, Wilde’s play satirizes the manners and social expectations of the Victorian upper class. The plot revolves around mistaken identities, misunderstandings, and the pursuit of love. Character Description: Gwendolen, a sophisticated and witty young woman in her 20s, adds a layer of humor and complexity to the play through her romantic entanglements.

Reviews: Victorian Comedy Gazette: Hails “The Importance of Being Earnest” as a comedic masterpiece, with Gwendolen’s character contributing to the play’s delightful chaos. London Social Chronicles: Commends Wilde’s wit and satire, highlighting Gwendolen’s character as a symbol of societal absurdity and the pursuit of love.


“A Raisin in the Sun” by Lorraine Hansberry. New York Drama Critics’ Circle Award for Best Play (1959). The play is a groundbreaking work in African American literature and drama.

Genre: Drama
Time & Location: 1950s, Chicago. Summary: The play explores the dreams and struggles of the Younger family, an African-American family in 1950s Chicago, as they grapple with issues of racism, identity, and generational conflicts. Character Description: Beneatha, a young woman in her 20s, represents the aspirations and challenges faced by the younger generation, striving for self-discovery and identity.

Reviews: The Chicago Herald Tribune: Commends Hansberry for creating a poignant portrayal of the African-American experience, with Beneatha’s character embodying the spirit of change and resilience. Drama and Diversity Quarterly: Applauds the lasting impact of “A Raisin in the Sun,” citing Beneatha’s character as a catalyst for important conversations about identity and social progress.


“The Curious Incident of the Dog in the Night-Time” by Simon Stephens (based on the novel by Mark Haddon). Olivier Award for Best New Play (2013). Tony Award for Best Play (2015)

Genre: Mystery/Drama
Time & Location: Contemporary setting, England. Summary: The play follows Christopher Boone, a 15-year-old with autism, as he investigates the mysterious death of a neighbor’s dog. The narrative explores Christopher’s unique perspective and the challenges he faces. Character Description: Christopher, a brilliant but socially challenged teenager, provides a window into the world of autism, navigating the complexities of human interaction and emotions.

Reviews: The Neurodiversity Review: Commends Stephens for his sensitive portrayal of autism, with Christopher’s character offering a unique and compelling perspective on the mystery. Contemporary Drama Quarterly: Applauds the innovative storytelling of “The Curious Incident,” citing Christopher’s character as a breakthrough in representing neurodiversity on the stage.

More on this topic: The Dynamic Roles for 18 to Mid-20s Male Characters: the Ultimate Acting Experience with Diverse Play Selections

Conclusion:

🎭 As the curtain falls on this enchanting exploration of theatrical wonders, consider this not an end but a mere intermission. Our journey into the heart of timeless plays, rich with characters waiting to be brought to life, has only just begun.

Stay tuned, dear readers, for the stage is set for more revelations, more insights, and more theatrical treasures. Whether you’re an actor seeking your next transformative role or an avid enthusiast of the dramatic arts, this stage is yours.

In the upcoming acts, we’ll continue to unravel the secrets hidden within the lines of exceptional plays, unlocking new realms of emotion, intellect, and sheer brilliance. The spotlight is ready to shift, casting its glow on fresh perspectives, unexplored narratives, and the magic that lies within the written word.

So, mark your calendars, set your alarms, and prepare for the next act in our journey together. The show must go on, and I invite you to be front and center as we delve deeper into the world of theatrical excellence.

Thank you for joining me on this theatrical odyssey. Your enthusiasm and passion fuel the stage, and I can’t wait to share more with you soon. Until then, let the anticipation build, the excitement simmer, and the magic of the theatre linger in your hearts.

Stay captivated, stay curious, and stay tuned for the encore of dramatic discoveries. The curtain may have fallen for now, but the thrill of what’s to come is just around the corner. 🌟✨

Crafting Worlds, One Word at a Time: A Writer’s Journey

In the vast expanse of creativity, where words weave tapestries of imagination, every keystroke holds the weight of a universe waiting to be unveiled. As a screenwriter and author, my journey into the realms of storytelling is a meticulous dance with language, a journey where each word becomes a brushstroke, shaping the canvas of my literary creations.

The Art of Deliberation:

Writing, for me, is not merely a task; it’s a delicate art form that requires patience, precision, and an unwavering commitment to craftsmanship. Choosing every word is akin to selecting the perfect note in a symphony, ensuring that the composition resonates with the intended emotions and nuances.

Crafting Characters, Sculpting Realities:

Characters are the beating hearts, and each word used to describe them is a sculptor’s chisel, shaping their essence. Hours are spent contemplating the nuances of their dialogue, the cadence of their speech, and the subtleties that make them breathe with life. It’s a process of empathy, understanding, and a touch of alchemy that transforms ink on paper into living, breathing entities.

The Power of Narrative Flow:

Beyond individual words lies the art of narrative flow—a symphony of sentences orchestrating the ebb and flow of the story. I navigate the currents of my narrative with care, ensuring that each word propels the reader forward, leaving them immersed in a seamless and captivating journey. The rhythm of the prose becomes a melody, guiding readers through the labyrinth of my imagination.

A Symphony of Themes and Motifs:

Themes and motifs are the threads that weave through the tapestry of my work, connecting disparate elements into a cohesive whole. Selecting the right words to convey these underlying currents requires a deep understanding of the story’s soul, a commitment to thematic consistency, and an acute awareness of how each word contributes to the larger mosaic.

The Quest for Authenticity:

Authenticity is the heartbeat of any narrative. As a writer, I embark on a quest to find the most authentic voice for each character, the most genuine expression of a thought or emotion. This involves delving into the intricacies of language, ensuring that every word resonates with truth and sincerity.

More on this topic: Unveiling the Art of Elevation: A Journey into the Heart of Acting

The Unseen Hours:

Behind every published piece lies a trove of unseen hours—moments spent agonizing over the perfect turn of phrase, debating synonyms, and sculpting sentences until they breathe with life. The commitment to excellence demands these hidden investments, transforming writing from a mere task into a labor of love.

In the end, the journey of a writer is a dance with language, an exploration of the infinite possibilities contained within the alphabet. Each word carries the weight of a writer’s soul, and with every piece, I strive to create not just stories but immersive experiences, inviting readers into the worlds I’ve carefully crafted—one word at a time.

Stay tuned…

Elevating the Actor’s Voice with the Transformative Power of Poetry

Introduction:

In the realm of performing arts, the actor’s voice is a potent instrument, capable of weaving emotions, stories, and experiences into a tapestry that captivates audiences. While many tools are employed in the training of an actor, one often underestimated and overlooked gem is poetry. Beyond its rhythmic cadence and lyrical beauty, poetry possesses the unparalleled ability to unlock the depths of an actor’s voice, infusing it with richness, resonance, and a profound emotional palette.

Unlocking Vocal Range:

One of the primary benefits of incorporating poetry into actor training lies in its capacity to unlock the full vocal range. Poetry demands a nuanced and dynamic delivery, compelling actors to explore the breadth and depth of their vocal capabilities. From the soft whispers of delicate verses to the thunderous roar of impassioned lines, the actor’s voice becomes a versatile instrument capable of conveying a spectrum of emotions.

By immersing themselves in the world of poetry, actors discover the myriad ways in which their vocal cords can dance across the emotional spectrum. The rhythmic patterns and varying tones found in poetry challenge actors to stretch beyond their comfort zones, fostering a vocal dexterity that is indispensable in portraying characters with authenticity.

Connecting Emotionally:

At its core, acting is an emotional journey. The ability to connect with and convey emotions authentically is what distinguishes a great actor from a good one. Poetry, with its ability to encapsulate profound human experiences in a few lines, serves as an invaluable tool in cultivating emotional depth.

As actors delve into the verses of poets who have masterfully articulated the complexities of love, loss, joy, and despair, they draw inspiration for their own emotional reservoirs. Through the exploration of poetic language, actors learn to tap into the nuances of human emotion, infusing their performances with a level of authenticity that resonates deeply with audiences.

Enhancing Articulation and Diction:

The meticulous crafting of words in poetry demands precision in articulation and diction. Poets, like skilled sculptors, chisel their words to create a masterpiece of sound and meaning. When actors immerse themselves in the world of poetry, they refine their ability to articulate each word with intention and clarity.

The rhythmic patterns inherent in poetry act as a rhythmic workout for the vocal cords, enhancing the actor’s enunciation and overall vocal projection. This heightened precision in articulation becomes a powerful tool, allowing actors to command attention on stage or screen with every carefully crafted word.

More on this topic: Mastering Method Acting, Meisner Technique, and Stanislavski Method: A Comprehensive Guide to Authentic Performance

Conclusion:

In the journey of actor training, poetry stands as a beacon, guiding performers toward a deeper understanding of their vocal instrument and the boundless emotional landscapes it can traverse. As actors embrace the rhythmic cadence, emotional depth, and linguistic precision of poetry, they unlock the true potential of their voices, transforming them into instruments capable of stirring the hearts and souls of audiences. The marriage of poetry and the actor’s voice is not just an artistic choice; it is a transformative journey toward the pinnacle of performance artistry.

Stay tuned…

How to Start Writing a Book: A Writer’s Diary – Part I

Your story will rank with the deepest art of all times if you have the command over the written word. – Olya Aman

Introduction

A. is a 26-year-old office worker who is bored to death. When her boss is looking the other way, she switches the screen of her computer to the pages of her book. Everybody knows about it and nobody seems to believe that she’s capable of writing it. But she’s determined to stick it to her friends, family, and her cat Rob – an only faithful companion in her lonely one-bedroom apartment life. We are going to witness a drift of her thoughts during this process.

As you lift your head a particular ‘Writing-Sunday’, feel the grandeur of your idea that you desire to communicate to other human beings. Your story will rank with the deepest art of all times if you have the command over the written word. Many fascinating things are still in the regions of the unwritable and the unspoken. Astonish your reader in the interests of truth – things you perfectly, even to the most exquisite nuances, understand.

The Story That Becomes History

I decided to start telling everybody that I am writing a book to push myself to action. I thought about it for a couple of years and it never went farther than just a dream that I was too afraid even to make an effort to fulfill. When at work, family gatherings, and friends’ parties people started to ask me: “How is it going?” “What is it about?” “When will I read it?” – I was too embarrassed to keep lying and STARTED WRITING my book.

Every person is a living myth where the real and imagined blur together. It does not matter if the story is not yet the truth. When a lot of people consider it so – it becomes history. We should learn to tell our story confidently and convincingly. Only then does the desired reality becomes your present.

People should find your story easier to remember than to forget. If you have the ability to control over the ghost of an idea, make it meaningful, depict all unutterable communications, and add a few well-chosen silences, you are a poignantly skilled writer. The best you can do is to encourage your talent. 

Your Life Train Can Go Only Uphill

If I have a thought, it keeps buzzing there like a hyperactive bee confusing the web of my life with that honey bucket bouncing from each strand. When I empty it – write it down, the ability to concentrate and function is back. I was driving from the coffee shop and that idea about Death almost blurred my vision and I, only by some miracle, didn’t miss my turn. I came home and took off my second shoe only when the thought was transferred to the screen of my laptop.

Your train cannot go downhill, only uphill. If your life is a happy creation, the passage of time makes you wealthy with new impressions and knowledge. You trade aging not for fear but for the coin that feeds your curiosity. And the simple magic of being always inquisitive is in sitting in an uncomfortable car of the upward bound train with a magnificent view from the window; dreaming about a comfy sleeping compartment and never getting into one.

Coping with writing-related-difficulties is a game of hide-and-seek. You never know what is wrapped around the next problem. The way you deal with them tells tomes about you as a writer. You should be inexorably grateful for the gift of overcoming the obstacles on your way. You become utterly curious and utterly hungry during this process of personal development. 

Everything Can Be a Source of Energy and Inspiration

My life reminds me of a Rubik’s Cube: one side is red and the others are all messed up and never get into order. I am behind the plan my relatives have for me: 1) to find a job that my father will approve – done! 2) to marry the guy my mom will like – not yet there and often seems never will be 3) to have kids to please my grandma – need to deal with the second point first! Why does even thinking about it makes me sick? The guy in my book is looking for his lifelong partner and failing constantly as well. 

Everything can be a source of energy and vigor: passion, rage, and even fear, but never guilt. Guilt deprives you of the healthy engagement hunger, which is the only source of creating freedom. 

Everyday life has the territories of characters, the acres of concepts, the meadows of thoughts, and the domains of ideas. And I tell you: Why don’t you let them free with the help of your artistic pen? 

When You Know What to Talk About

My best friend Sasha has the look of a naughty baby that just broke my favorite cup with the picture of us smiling. “I read the title and I liked it,” she says. “Next line makes me think that the second sentence will be easier to digest and I will start understanding. When I was done with a paragraph, I went back and read it two more times – and still had no idea what it was all about.” A lump of desperate powerlessness and frustration is blocking my throat and my vision. “You are so smart, so wise and intelligent. Everybody will love it and will be amazed by your style,” she squeezes my hand. “It is just me. I do not know English well enough. You know this is not my strongest side.” I go to the bathroom and switch the water on so that the sound of it will muffle my sobs. I look at my eyes. Tears make them turn from the juicy greenery of young leaves to the mature dark color of ready to wither grass. I love to watch this transformation. Sometimes, just for that reason, I like to cry.

When you know what to talk about with a person – you feel mutual affection. This chemistry between you can grow into true friendship when you drink tea with saffron, cardamom, and ginger in silence that is full of shared beauty of common understanding that whatever is kept quiet has the meaning you can read with every breath. This music does not need words. 

There are people that swagger in your memory as the finest. Read the ready chapters of your book to them. You will get on famously with the feedback from a trusted circle. Do not turn a deaf ear to their response. 

Fear Comes From the Knowledge

I am my worst enemy with all those excuse-walls I build on the way to my artistic calling. Where is my much-valued deviousness? I used to be so inventive playing ‘school game’ with my grandma for two weeks before she realized that she was doing homework for me.

Fear comes not from the pain of a strike, a fall, or a loss but from the knowledge that the one who did it to you is out of your reach or, what is even worth, you don’t even know who that was. 

Inhale the very fragrant of your fear and toss it out of your heart. It should help you to move ahead, not to force you to stop completely. People will judge, some favorably, others – otherwise. There is no product of imagination and experience that will suit everyone. You may make yourself famous with particular chosen people of similar mental construction. So much the better. 


Conclusion

I had a nightmare today. I was skiing and looked awesome in my gear: ski goggles, helmet, and fashionable ski suit. While cruising down the hill, I jumped on a trampoline and I crashed into a tree. I got up: my ski poles were crooked and my skis – broken, my suit was torn and my goggles were smashed, my face was bruised and some teeth were missing. I dusted myself off and looked up, saying: “Still better than at work.” My life is so predictable that even this dream is a breath of fresh air. Still struggling with the second chapter of my book.

Sometimes we need Novocain blockage for emotions to cope with our daily tasks. If everyday life brings sad thoughts, we need to find something to smile at, even if this something is ‘you getting left behind’. Humor – is the best cure for depression. And to know how to be funny is a great achievement. 

You may judge of the success of your efforts by two things: the number of pages written and the vastness of pages crossed and rewritten. This process is laborious and requires a great deal of patience and self-control. You are naturally born to great things. But those things are placed in the middle of the two extremes, between the fear to act and the bravery to dash headfirst. The wise man should have both in moderation and make progress with some fear and a bit more bravery. This way you get moving with more consideration and contemplation.

Stay tuned…