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Film

🌟✨ Cracking Up the Casting Room: Surviving Auditions with a Smile ✨🌟

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🌟✨ Lights, Camera, Laughter: A New Year’s Message to My Fellow Actors! ✨🌟

Welcome, dear readers, to the laughter-packed haven of our Comedy Corner! As we embark on this side-splitting detour through the world of acting, let’s not just break a leg but maybe also crack a rib or two. After all, what better way to navigate the maze of auditions and rejections than with a healthy dose of humor?

As we navigate the tumultuous seas of auditions and face the bitter reality of rejections, one thing becomes abundantly clear – we need the ability to laugh. In an industry where rejection is as common as headshots, having a good sense of humor is not just a luxury; it’s a survival skill. So, buckle up as we embark on a journey through the lighter side of acting, filled with hilarious anecdotes, top-ranking jokes, and wisdom from the greats who found humor in the art of performance.

Why did the actor bring a ladder to the audition? They heard the role required a high level of performance!

Diving into the Wit and Wisdom of Showbiz Legends!

Comedy legend Steve Martin once quipped, “Acting is all about honesty. If you can fake that, you’ve got it made.” It’s a reminder that sometimes, the ability to laugh at the absurdity of it all can be the key to success. 

Why do actors make terrible boxers? They can't take a punchline!

Robin Williams, another icon of the industry, once said, “You’re only given a little spark of madness. You mustn’t lose it.” In an industry where conformity often reigns, embracing the madness and finding the humor within becomes a powerful tool for resilience.

Why did the actor break up with the script? It just wasn't in character!

Laughing through Rejections: Rejections are as much a part of an actor’s journey as headshots and auditions. Instead of dwelling on the bitterness, consider it a stepping stone to your next opportunity. Take a page from Jim Carrey’s book: “I learned many great lessons from my father, not the least of which was that you can fail at what you don’t want, so you might as well take a chance on doing what you love.”

How many actors does it take to change a light bulb? Just one, but they'll need three auditions to get it right.

The Healing Power of Laughter: Beyond the jokes and anecdotes, science tells us that laughter has a profound impact on our mental well-being. As actors, we face constant pressure and scrutiny, making it crucial to find moments of joy in the midst of challenges. Comedian and actor Carol Burnett wisely noted, “Comedy is tragedy plus time.” Embrace the time-tested truth that a good laugh can turn even the most tragic audition into a memorable story.

Spotlight Laughs: Stand-Up Takes on Showbiz Struggles!

  1. Jim Gaffigan on Method Acting: “I tried method acting once. I played a guy who couldn’t act. It was the most challenging role of my career.”
  2. Ellen DeGeneres on Auditions: “I love auditions. It’s the only place where you can be anything you want, except the part you’re auditioning for.”
  3. Louis C.K. on Hollywood Logic: “In Hollywood, they say, ‘It’s not what you know, it’s who you know.’ But the more you know, the smaller the list of people you want to work with becomes.”
  4. Joan Rivers on Rejections: “I don’t fear rejection in show business. I’ve been rejected all my life. My Barbie dolls used to play with other dolls.”
  5. Chris Rock on Movie Magic: “People think acting is all about crying and being emotional, but the hardest part is remembering your character’s name.”
  6. Sarah Silverman on Stage Fright: “I love performing live. It’s the only place where the audience can’t press pause if they think you suck. Well, they can, but it’s not as satisfying.”
  7. George Carlin on Theatrical Honesty: “Actors will say they’re just being honest on stage. Well, I can be honest too. I’ve never seen a dragon or a talking squirrel, but I’d pay to see it if you can convince me.”
  8. Kevin Hart on Hollywood Dreams: “Every actor has that dream role they’d kill for. I just hope my dream role isn’t in a horror movie. I’m not good with knives, even fake ones.”


Welcome to the Bookshelf Circus: Where Laughter Takes Center Stage!

Ladies and gentlemen, aspiring thespians, and comedy enthusiasts, step right up to the Bookshelf Circus, the literary big top where hilarity, wit, and the wild world of acting collide! Grab a front-row seat as we unveil a collection of books that aren’t just filled with pages but also brimming with laughter, industry insights, and the comedic genius of entertainment legends.

Picture this: a literary tightrope walk with Tina Fey, a stand-up magic show with Steve Martin, and a side-splitting interview extravaganza hosted by Judd Apatow. We’re about to dive into the pages of books that will tickle your funny bone, illuminate the quirks of the industry, and, most importantly, remind you that even in the serious business of acting, laughter is the best script doctor. So, put on your literary clown noses, buckle up for the Bookshelf Circus, and let the laughter begin! 🎪📚😂

1. “Bossypants” by Tina Fey

Description: Tina Fey, the brilliant mind behind “30 Rock” and “Saturday Night Live,” invites readers into the uproarious world of comedy and acting in “Bossypants.” Blending wit, humor, and insightful anecdotes, Fey shares her journey from improv stages to Hollywood, sprinkling industry jokes and wisdom throughout. This book is a delightful rollercoaster ride that not only entertains but also provides valuable lessons on resilience and embracing your unique voice in the entertainment industry.

  • Laugh-Out-Loud Humor: Tina Fey’s sharp wit and comedic genius infuse every page, making it a joyous read for anyone in need of a good laugh.
  • Insightful Industry Commentary: Fey’s insider perspective on the entertainment industry, coupled with humorous anecdotes, offers valuable insights that can resonate with actors at all stages of their careers.
  • Empowering and Inspirational: “Bossypants” encourages actors to embrace their quirks, navigate challenges with humor, and find success on their own terms.

2. “Born Standing Up: A Comic’s Life” by Steve Martin

Description: In this autobiographical gem, Steve Martin, one of the most iconic stand-up comedians and actors, takes readers on a journey through the highs and lows of his comedy career. “Born Standing Up” is a masterclass in wit and wisdom, chronicling Martin’s evolution from a young magician to a legendary comic. Filled with humor, candid reflections, and industry anecdotes, this book is a must-read for those seeking a deeper understanding of the art and business of comedy.

  • Humor Unleashed: Steve Martin’s signature wit is on full display, making this memoir not only informative but also incredibly entertaining.
  • Behind-the-Scenes Revelations: Gain a behind-the-scenes perspective on the challenges and triumphs of a comedian’s life, providing valuable insights applicable to actors navigating the entertainment industry.
  • Artistic Evolution: Martin’s journey from stand-up to film and beyond offers a compelling narrative of artistic evolution, inspiring actors to embrace change and growth in their own careers.

3. “Sick in the Head: Conversations About Life and Comedy” by Judd Apatow

Description: Judd Apatow, the comedic genius behind hit films like “Knocked Up” and “The 40-Year-Old Virgin,” compiles a collection of interviews with some of the biggest names in comedy in “Sick in the Head.” From Garry Shandling to Jerry Seinfeld, Apatow’s book delves into the minds of comedy legends, exploring their journeys, experiences, and of course, delivering plenty of laughs along the way.

  • Insider Interviews: Apatow’s conversations with industry giants offer a rare glimpse into the minds of comedy legends, providing actors with invaluable perspectives on creativity and success.
  • Hilarious Anecdotes: The book is laced with funny stories and anecdotes, making it an enjoyable and relatable read for anyone in the entertainment business.
  • Lessons in Perseverance: Discover how these comedy greats navigated challenges and setbacks, offering lessons in resilience and determination for actors facing their own uphill climbs.

Reading these books is not just a journey into the lives of comedic legends but also an opportunity for actors to glean wisdom, find inspiration, and, most importantly, have a good laugh along the way.

Conclusion:

Remember, in this business of auditions, rejections, and the occasional dramatic on-set coffee spill, the ability to laugh is your most versatile prop.

As we wrap up this chuckle-filled rendezvous, let me leave you with a thought: Acting may be a serious business, but it’s also a dance with laughter, a melodious symphony of unexpected pratfalls, and a Shakespearean comedy with a touch of improv.

So, my fellow actors, keep those comedic scripts close, your funny bone even closer, and always be ready for an impromptu stand-up routine in the green room. As you navigate the unpredictable stage of showbiz, remember that a well-timed joke can be the spotlight that turns a challenging scene into a memorable act.

Break a leg, and may your laughter be as infectious as a perfectly delivered punchline. Until next time, keep smiling, keep shining, and keep those audition nerves wondering why they even bothered showing up! 🎭😄🌟

Film

Mastering the Art of Monologues: Unveiling the Power of Solo Performances

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Introduction: The Monologue Mystery Unraveled

Alright, buckle up, folks! Today, we’re diving into the world of monologues – those moments in theater where actors talk to themselves, and we all pretend it’s completely normal. Now, let’s get one thing straight from the get-go: “monologue” might sound all sophisticated and dramatic, but it’s just a fancy word for a solo performance that’s essentially a conversation with someone who ghosted you.

In the illustrious words of the legendary Uta Hagen, the art of a monologue is like serving a gourmet dish to an invisible food critic. She quirkily suggests that a monologue isn’t just a soliloquy; it’s a stand-up routine for actors, where the punchlines are emotional revelations, and the audience is comprised of imaginary friends who miraculously never heckle.

Remember that a monologue is not just a speech; it’s a theatrical confessional booth where the script is your holy text, and the audience is the congregation hoping for a divine revelation. Now, go forth, fellow actors, and let the solo performance begin – because, in the realm of wit and wisdom, a monologue is your comedic canvas!

More on this topic: The Vocal Virtuoso: Crafting Unforgettable Performances through Voice Training

Finding Your “Monologue”: The Best-Reviewed Books on Monologues

So, you’re on the hunt for the perfect monologue, or as we like to call it, the stand-up set for the actor who’s tired of waiting for punchlines. These pieces are usually snippets from plays, where characters spill their guts to an imaginary friend who’s either the world’s best listener or the worst at texting back. But hey, we don’t judge – it’s tough out there in the fictional world.

Now, for those who want to master the art of talking to themselves professionally, here are some books that won’t judge you for seeking solo company:

“The Ultimate Audition Book: 222 Monologues 2 Minutes and Under” by Jocelyn A. Beard.

Need a monologue faster than a one-minute date? Look no further! Jocelyn A. Beard brings you the ultimate monologue speed-dating experience with 222 gems, each under two minutes. It’s not just a book; it’s your secret weapon, endorsed by actors who’ve aced auditions with these bite-sized brilliance boosters.

Emma Watson: “Jocelyn A. Beard has cracked the code for audition success. A must-have for every actor’s toolkit!”

Emma Stone: “In the world of auditions, time is of the essence. ‘The Ultimate Audition Book’ is like having a monologue matchmaker in your pocket!”

“The Actor’s Book of Contemporary Stage Monologues” by Nina Shengold.

Tired of waiting for playwrights to finish their coffee breaks? Nina Shengold has your back with a collection of contemporary monologues that speaks the language of today’s stages. It’s not just a book; it’s a dialogue with the modern theatrical soul, and actors who’ve embraced its pages rave about its relevance.

Sir Ian McKellen: “In the ever-evolving landscape of theater, ‘The Actor’s Book of Contemporary Stage Monologues’ is a beacon of relevance. An absolute gem for every actor’s library.”

Meryl Streep: “Nina Shengold’s collection speaks the language of today’s stages. A must-read for actors navigating the ever-changing currents of contemporary theater!”

“Audition Monologues for Young Women #2” by Gerald Lee Ratliff.

Because even young actresses deserve a spotlight moment! Gerald Lee Ratliff offers a curated selection of contemporary audition pieces that resonate with the aspirations and dreams of young talent. It’s not just a book; it’s a stepping stone to stardom, celebrated by actresses who’ve found their voice within its pages.

Emma Stone: “Young actresses, take note! ‘Audition Monologues for Young Women #2’ is your backstage pass to confidence and success.”

Reese Witherspoon: “Gerald Lee Ratliff’s collection resonates with the aspirations of young talent. A fantastic resource for those ready to make their mark in the industry!”

Don’t just read; perform! These books are your monologue mentors, your audition allies, and your gateway to standing ovations. Secure your copies now and let the spotlight find its way to you!

Conclusion:

In the world of monologues, it’s not just about talking to yourself; it’s about turning that solo dialogue into a standing ovation-worthy performance. So, go ahead, embrace the madness, revel in the solo spotlight, and remember – in the grand theater of life, we’re all just a monologue away from stealing the show.

Stay tuned…

Film

A Deep Dive into Color Coding Techniques: How Famous Actors Use Colors to Bring Scripts to Life

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Hey there, fellow script enthusiasts! Today, we’re about to embark on a colorful journey into the fascinating world of acting techniques. Ever wondered how actors transform words on a page into captivating performances that leave us on the edge of our seats? Well, grab your popcorn and get ready for some behind-the-scenes magic!

The Chromatic Chronicles of Character Analysis

When it comes to dissecting a script, actors often unleash the power of color coding to navigate the intricate minds of their characters. Picture this: a script filled with a spectrum of hues, each representing a different facet of the character’s personality.

Emma Watson, our favorite Hermione Granger, once shared her secret:

“I use a rainbow of sticky notes. Pink for passion, blue for vulnerability, and green for humor. It’s like painting with emotions!”

Pro Tip: Don’t be afraid to get creative! Whether you’re a fan of neon markers or pastel highlighters, let your character’s palette guide you.

Dialogue Dazzle

Now, let’s talk about the art of delivering lines with finesse. Great actors like Morgan Freeman swear by using different colors to mark their lines. He once joked, “I’m like a wizard with my highlighters, casting spells on my dialogue.”

Words of Wisdom:

Anthony Hopkins advises, “Color your lines based on the character’s emotional journey. It’s like a roadmap for your performance.”

Pro Tip: Use warm colors for passionate speeches and cool tones for introspective moments. It’s a traffic light of emotions!

Blocking & Movement Mischief

To master blocking and movement, actors like Cate Blanchett have a trick up their sleeves – or should we say, on their scripts. She recommends using stickers shaped like arrows to indicate the flow of movement.

“It’s like GPS for actors,” she sais.

Pro Tip: Match arrow colors to the character’s energy. Red for intensity, yellow for lightness, and green for transformation.

Comedy Color Palette

Comedy is an art, and comedic actors know the importance of timing and tone.

Jim Carrey, the master of mirth, once shared, “I use a rainbow of highlighters to mark the beats of a joke. It’s like creating a symphony of laughter!”

Robin Williams famously said, “Comedy is all about surprise. I mark surprising moments in purple – the color of spontaneity!”

Pro Tip: Let your script be a canvas for your comedic genius. Use colors to highlight setups, punchlines, and comedic beats.

Dive into the Scripting Odyssey: Must-Read Books for Aspiring Wordsmiths!

For actors, delving into the intricacies of scriptwriting is akin to peering behind the curtain of a mesmerizing performance to understand the very essence of their craft. Knowledge of scriptwriting is not merely a feather in the cap; it’s a powerhouse of empowerment. By comprehending the nuances involved in crafting a script, actors gain a profound insight into the characters they bring to life. Understanding the writer’s intentions, the rhythm of dialogue, and the underlying subtext allows actors to embody their roles with authenticity and depth. Moreover, this knowledge fosters a collaborative synergy between actors and writers, as it enables a shared language that transcends the boundaries of the stage or screen. Ultimately, an actor armed with the understanding of scriptwriting becomes a storyteller in her own right, capable of enriching narratives and infusing performances with a nuanced brilliance that captivates audiences.

Welcome to the treasure trove of scriptwriting wisdom! 🌟 In this section, we’re unveiling a collection of literary gems that are a must-have for any aspiring scriptwriter. These books not only grace the shelves of seasoned professionals but also serve as beacons of inspiration for those venturing into the captivating world of storytelling. Let’s explore why these classics deserve a prime spot on your reading list.

“Story: Substance, Structure, Style, and the Principles of Screenwriting” by Robert McKee

Description: Robert McKee, a luminary in screenwriting education, unveils the art and science of storytelling in his masterpiece, “Story.” With a keen focus on the principles of screenwriting, McKee delves deep into the structural intricacies that form the backbone of memorable narratives.

Why It’s a Must-Read:

  1. Blueprint for Storytelling: Hailed as a reliable blueprint, McKee’s “Story” breaks down essential screenwriting principles, offering a clear guide for storytellers at all levels.
  2. Mastering Story Structure: McKee’s focus on structural intricacies equips writers with the tools to master plot development and character arcs, revolutionizing their storytelling skills.
  3. Timeless Wisdom, Practical Tools: McKee’s enduring teachings provide a timeless source of wisdom, offering practical tools and insights directly applicable to writers’ craft, ensuring a valuable and hands-on learning experience.

Reviews:

  • “McKee’s ‘Story’ is the screenwriter’s bible, a timeless and essential guide.” – The Hollywood Reporter
  • “A masterclass in storytelling from one of the greats. ‘Story’ is an investment in your craft that pays off with every page.” – Variety

“Save the Cat! The Last Book on Screenwriting You’ll Ever Need” by Blake Snyder

Description: Blake Snyder’s “Save the Cat!” is a revolutionary exploration of screenplay structure, offering practical and accessible advice for creating resonant stories.

Why It’s a Must-Read:

  1. Unique Perspective: Snyder’s innovative methodology provides a fresh perspective on screenplay structure, setting his book apart as a standout in the genre.
  2. Engaging Stories: Readers learn to captivate audiences with engaging narratives and craft unforgettable characters, enhancing their storytelling prowess.
  3. Lasting Impact: With the bold claim of being the last book on screenwriting needed, Snyder’s work proves to be an investment that yields lasting dividends.

Reviews:

  • “Snyder’s ‘Save the Cat!’ is a game-changer, making screenwriting accessible and enjoyable for writers of all levels.” – IndieWire
  • “An indispensable guide that lives up to its promise – the last word on screenwriting you’ll ever need.” – The Guardian

“Screenplay: The Foundations of Screenwriting” by Syd Field

Description: Often hailed as the “guru of all screenwriters,” Syd Field imparts timeless wisdom in “Screenplay,” delving into foundational elements of screenwriting.

Why It’s a Must-Read:

  1. Foundational Knowledge: Field’s expertise forms the bedrock of screenwriting principles, making “Screenplay” essential reading for both beginners and veterans.
  2. Holistic Approach: The book explores every facet of the craft, from conceptualizing ideas to crafting compelling dialogues, providing a holistic understanding.
  3. Enduring Legacy: A classic that stands the test of time, offering enduring guidance to scriptwriters worldwide.

Reviews:

  • “Field’s ‘Screenplay’ is a timeless classic, providing the essential toolkit for anyone serious about screenwriting.” – The New York Times Book Review
  • “An indispensable companion for writers, Syd Field’s work continues to shape the craft of screenwriting.” – Los Angeles Times

“The Anatomy of Story: 22 Steps to Becoming a Master Storyteller” by John Truby

Description: John Truby’s “The Anatomy of Story” is a masterclass in storytelling intricacies, unraveling the secrets behind constructing narratives that leave a lasting impact.

Why It’s a Must-Read:

  1. In-Depth Exploration: Truby’s detailed guide provides a deep dive into character development and plot structure, leaving no stone unturned.
  2. Comprehensive Framework: The 22-step approach offers a comprehensive framework for crafting emotionally resonant stories that captivate audiences.
  3. Practical Application: Truby goes beyond theories, providing practical tools and techniques for writers to directly apply to their own work.

Reviews:

  • “Truby’s ‘Anatomy of Story’ is a must-have for storytellers, a profound guide that transforms the way we approach narrative construction.” – The Atlantic
  • “A comprehensive and practical roadmap to crafting stories that linger in the hearts and minds of audiences.” – NPR Books

“On Writing: A Memoir of the Craft” by Stephen King

Description: Although not exclusively focused on screenwriting, Stephen King’s “On Writing” is a treasure trove of craft-related wisdom, sharing his experiences and valuable advice for aspiring writers.

Why It’s a Must-Read:

  1. Personal Insight: King’s memoir provides a personal and relatable account of his writing journey, offering encouragement to writers at every stage.
  2. Universal Wisdom: While not screenwriting-specific, King’s advice is universally applicable, making it relevant and inspiring for scriptwriters.
  3. Motivational Boost: King’s narrative style and anecdotes serve as a motivational boost, making it a compelling read for anyone passionate about the written word.

Reviews:

  • “A literary gem that transcends genres, ‘On Writing’ is a testament to King’s mastery and an indispensable guide for writers.” – The New Yorker
  • “King’s candid reflections make ‘On Writing’ a beacon of inspiration for aspiring writers, regardless of their chosen form.” – The Guardian

Embark on this literary journey and let these books be your guiding lights as you navigate the exciting landscape of scriptwriting!

More on this topic: Mastering Method Acting, Meisner Technique, and Stanislavski Method: A Comprehensive Guide to Authentic Performance

Unleash Your Inner Picasso of Performance

As we wrap up our colorful exploration of actors’ script techniques, remember: the script is your canvas, and you’re the artist. Embrace the rainbow of emotions, let your characters come to life with every stroke of color, and most importantly, have fun!

So, the next time you find yourself lost in a script, reach for your trusty markers, stickers, and highlighters. 🖍️ Let the colors guide you through the tapestry of storytelling, turning words into a vibrant masterpiece on the stage or screen. Break a leg, and may your scripts be as vivid as a double rainbow after the storm!

Film

Leading Ladies on Stage: Roles for Women in Their Prime – A Theatrical Journey Through Mid-20s to Late 30s Characters

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Introduction:

🎭 Stepping onto the stage has always been my passion, a journey where I explore the vast spectrum of human emotions, unraveling the threads of characters that resonate with the very essence of our existence. Having devoured hundreds of plays in my quest to unearth roles that challenge, inspire, and provoke thought, here I am, sharing the fruit of my theatrical odyssey—a meticulously curated list of plays that showcase the sheer genius of writers and the unparalleled beauty of language. This collection is not just a list; it’s a treasure trove, a guide for fellow actors seeking roles that transcend the ordinary.

Why Choosing Plays in Acting Classes Boosts Your Readiness for Theatre, Movies, and Film

The decision to center your training around theatrical plays serves as a strategic move that extends far beyond the boundaries of the stage. Here’s a closer look at why choosing plays in acting classes becomes the key to enhancing your readiness for success in theatre, movies, and film.

The mastery acquired through working with sophisticated material becomes a transformative stepping stone toward cinematic excellence. Armed with the experience of interpreting characters from the realms of high-caliber writing, actors find themselves impeccably equipped to navigate the diverse challenges presented by the film industry. The transition becomes seamless, facilitated by a reservoir of skills honed through engagement with the highest echelons of dramatic literature.

Must-Perform Plays for Mid-20s to Late 30s Actresses

🎭 For mid-20s to late 30s actresses seeking roles that transcend the ordinary, this spotlight on stardom is tailored just for you. Join me on this exciting adventure as we unravel the plots, delve into character intricacies, and discover why these scripts are the hidden gems you’ve been searching for. From the timeless echoes of classic theatre to the cutting-edge narratives of modern drama, our stage is set for an unforgettable performance. Are you ready to take your place in the spotlight? Let’s dive into the enchanting world of carefully selected plays that await your extraordinary talents! 🌟✨

“Proof” by David Auburn. Pulitzer Prize for Drama (2001). Tony Award for Best Play (2001)

Genre: Drama
Time & Location: Contemporary (late 20th century) Summary: Catherine, a brilliant but troubled mathematician, confronts her father’s death and the legacy of his mathematical genius. Themes of mental illness, family relationships, and the search for truth unfold in this emotionally charged narrative. Character Description: In her late 20s, Catherine is a complex and brilliant mathematician. Wrestling with her intellectual gifts and the fear of inheriting her father’s mental health issues, she navigates the challenges of love, family, and the weight of genius with introspection and emotional nuance.

Reviews: The New York Times: “‘Proof’: Auburn’s genius play masterfully intertwines math and emotion. Catherine’s depth captivates, showcasing a poignant exploration of brilliance and the human heart.” Variety: “Auburn’s ‘Proof’ is a precise equation of family, legacy, and mental health. Intellectual rigor meets emotional resonance, crafting a beautifully layered exploration of humanity.” The Guardian: “‘Proof’ triumphs in modern drama—mathematics and family intricacies beautifully entwined. Catherine’s journey, a mesmerizing blend of brilliance and vulnerability, leaves a lasting impact.”

“Doubt: A Parable” by John Patrick Shanley. Pulitzer Prize for Drama (2005). Tony Award for Best Play (2005)

Genre: Drama
Time & Location: 1960s, a Catholic school in the Bronx. Summary: Set in a Catholic school during the 1960s, “Doubt” follows Sister Aloysius, a stern nun, as she confronts Father Flynn about his relationship with a young male student. The play delves into themes of faith, morality, and the ambiguity of truth. Character Description: Sister Aloysius, a formidable woman in her late 30s, is driven by duty and a determination to protect her students.

Reviews: The Guardian: Praises “Doubt” for its “riveting ambiguity” and powerful performances, especially the nuanced portrayal of Sister Aloysius. The New York Times: Calls it a “beautifully balanced drama” that leaves the audience questioning their own beliefs.

“A Doll’s House” by Henrik Ibsen is widely regarded as a groundbreaking play in the feminist movement.

Genre: Drama
Time & Location: 19th century, Norway. Summary: Nora Helmer, a seemingly content wife and mother, challenges societal constraints and seeks self-discovery. The play powerfully explores gender roles and societal expectations. Character Description: Nora, in her early 30s, initially a dutiful wife, evolves into a determined character seeking her own identity.

Reviews: The Telegraph: Praises “A Doll’s House” for its “timeless relevance” and enduring impact on feminist thought. The Guardian: Calls it a “landmark in the birth of modern drama,” emphasizing its groundbreaking exploration of women’s issues.

“Steel Magnolias” by Robert Harling received critical acclaim for its portrayal of female characters.

Genre: Drama
Time & Location: 1980s, a beauty salon in Louisiana. Summary: Set in a Louisiana beauty salon, the play explores the lives and friendships of Southern women, tackling themes of love, loss, and the strength found in female bonds. Character Description: Shelby, a resilient woman in her mid-20s, battles health issues, highlighting the importance of friendship.

Reviews: The New York Times: Praises “Steel Magnolias” as a “skillfully crafted, lovingly evoked picture of eccentricity in the small-town South.” Variety: Notes the play’s “wit, warmth, and insight” in portraying the characters’ emotional journeys.

“The Glass Menagerie” by Tennessee Williams. New York Drama Critics’ Circle Award for Best Play (1945). The play is considered a classic of American theatre.

Genre: Drama
Time & Location: 1930s, St. Louis. Summary: A memory play, “The Glass Menagerie” explores the Wingfield family’s struggles with abandonment and dreams. Amanda, a faded Southern belle, desperately tries to secure a future for her two adult children. Character Description: Laura, in her mid-20s, is Amanda’s fragile daughter, finding solace in her collection of glass animals.

Reviews: The Guardian: Calls “The Glass Menagerie” a “timeless masterpiece” with poetic language and emotional depth. The New York Times: Highlights the play’s “exquisite writing” and “unforgettable characters.”

“The Shape of Things” by Neil LaBute received positive reviews for its provocative and thought-provoking content.

Genre: Drama
Time & Location: Contemporary setting. Summary: Exploring the impact of physical appearance on relationships, “The Shape of Things” follows Evelyn, an artist, as she transforms the life of Adam. The play raises questions about art, ethics, and personal identity. Character Description: Evelyn, a provocative woman in her late 20s, challenges societal norms through her art.

Reviews: The Guardian: Praises “The Shape of Things” for its “acerbic intelligence” and provocative exploration of art and ethics. Variety: Describes it as a “taut and tricky exploration of sexual politics.”

“Top Girls” by Caryl Churchill. Obie Award for Best New American Play (1983-84). Evening Standard Award for Best Play (1982)

Genre: Drama
Time & Location: 1980s, London. Summary: The play examines challenges faced by women in historical and modern society. Marlene, the central character, celebrates her promotion in a London employment agency, exploring feminist themes and sacrifices. Character Description: Marlene, in her 30s, is ambitious and confronts conflicts between personal and professional success.

Reviews: The New York Times: Calls “Top Girls” a “dazzling, thought-provoking play” that offers a “provocative meditation on women, power, and family.” The Guardian: Praises Churchill’s “ingenious and demanding” script, calling it a “landmark in modern drama.”

“Wit” by Margaret Edson. Pulitzer Prize for Drama (1999). Drama Desk Award for Outstanding Play (1999)

Genre: Drama
Time & Location: Contemporary hospital setting. Summary: Vivian Bearing, an English professor, faces a life-altering cancer diagnosis. The play explores themes of life, death, and the search for meaning. Character Description: Vivian, in her late 30s, is a strong-willed scholar undergoing a profound transformation.

Reviews: The New York Times: Hails “Wit” as “extraordinary,” praising its intelligence, emotional impact, and central performance. Variety: Calls it a “powerful and uncompromising work” capturing the totality of human experience.

“The Miracle Worker” by William Gibson. Tony Award for Best Play (1960). The play received acclaim for its powerful portrayal of the relationship between Helen Keller and her teacher Anne Sullivan.

Genre: Drama
Time & Location: Late 19th century, Alabama. Summary: This classic drama tells the true story of Helen Keller, a deaf-blind girl, and her teacher Annie Sullivan. It explores the transformative power of education and perseverance. Character Description: In her mid-20s, Annie Sullivan is determined and compassionate as she struggles to connect with Helen.

Reviews: The New York Times: Praises “The Miracle Worker” for its “emotional power” and the remarkable portrayal of the teacher-student relationship. Variety: Calls it a “touching and inspiring drama” that celebrates the triumph of the human spirit.

“The Children” by Lucy Kirkwood. Evening Standard Theatre Award for Best Play (2016). The play was well-received for its thought-provoking themes and impactful storytelling.

Genre: Drama
Time & Location: Post-apocalyptic setting. Summary: In a post-apocalyptic world, two retired nuclear scientists receive an unexpected visit from a former colleague. The play explores themes of responsibility, consequences, and personal sacrifice. Character Description: Hazel, a scientist in her mid-30s, confronts the moral complexities of her past.

Reviews: The Guardian: Describes “The Children” as “beautifully written” and “profoundly moving,” praising its thought-provoking themes. The New York Times: Calls it an “apocalyptic thriller” with “rich, topical resonance.”

“The Shape of Water” by Guillermo del Toro and Vanessa Taylor (adaptation for the stage). The play is an adaptation of the Oscar-winning film.

Genre: Drama/Fantasy
Time & Location: Early 1960s, a government laboratory. Summary: Based on the Oscar-winning film, this stage adaptation tells the story of Elisa, a mute cleaning woman who discovers an amphibious creature in a high-security government laboratory. The play explores love, acceptance, and the consequences of prejudice. Character Description: Elisa, in her early 30s, is a compassionate and resourceful woman who forms a unique bond with the amphibious creature.

Reviews: The Hollywood Reporter: Praises “The Shape of Water” for its “magical and emotional depth,” calling it a “captivating stage experience.” Variety: Highlights the play’s “gorgeous production design” and the “heartfelt performances.”

“Intimate Apparel” by Lynn Nottage. New York Drama Critics’ Circle Award for Best Play (2004). Outer Critics Circle Award for Outstanding Off-Broadway Play (2004)

Genre: Drama
Time & Location: Early 1900s, New York. Summary: Set in early 1900s New York, the play follows Esther, a lonely African-American seamstress, as she navigates love, ambition, and societal expectations. The play explores race, class, and the pursuit of dreams. Character Description: Esther, in her late 30s, is a talented and independent woman seeking connection and fulfillment.

Reviews: The New York Times: Praises “Intimate Apparel” for its “quietly devastating emotional power” and the richness of its characters. Variety: Calls it a “beautifully composed portrait of loneliness and dreams,” highlighting Nottage’s storytelling prowess.

“Medea” by Euripides is an ancient Greek tragedy that is considered one of the greatest achievements in Western literature.

Genre: Tragedy
Time & Location: Ancient Greece. Summary: This ancient Greek tragedy tells the story of Medea, a woman who seeks revenge against her unfaithful husband by committing unspeakable acts. It explores themes of betrayal, revenge, and the consequences of extreme actions. Character Description: Medea, a woman in her 30s, is a passionate and vengeful figure. Driven to extremes by betrayal, she embodies the complexities of human emotion and the destructive power of revenge.

Reviews: The Athenian Times: Hails “Medea” as a timeless tragedy that delves into the darkest corners of the human soul, showcasing the formidable character of Medea. Ancient Drama Review: Applauds Euripides for creating a gripping narrative that explores the psychology of revenge, with Medea’s character standing out as a compelling force.

“Much Ado About Nothing” by William Shakespeare is a classic Shakespearean comedy that is widely performed and studied.

Genre: Comedy
Time & Location: Renaissance England. Summary: Shakespeare’s classic comedy revolves around the witty banter and romantic entanglements of two couples, Beatrice and Benedick, and Claudio and Hero. Misunderstandings and comedic antics ensue, highlighting themes of love and deception. Character Description: Beatrice, a sharp-witted woman in her 30s, engages in delightful banter and challenges societal norms. Her character brings a refreshing and comedic perspective to the play.

Reviews: The Globe Gazette: Praises “Much Ado About Nothing” as a timeless comedy that masterfully weaves romance and humor, with Beatrice stealing the show with her wit. Shakespearean Review: Commends Shakespeare’s genius in creating a vibrant comedy where Beatrice’s character adds depth and humor to the intricate plot.

“Hedda Gabler” by Henrik Ibsen is recognized as a classic of 19th-century realism.

Genre: Tragedy
Time & Location: Late 19th century, Norway. Summary: The play follows the character Hedda Gabler, a woman trapped in a stifling marriage and struggling with societal expectations. Themes of power, manipulation, and the consequences of societal constraints are explored. Character Description: Hedda, a woman in her 20s, is a complex mix of intelligence and frustration. Trapped by societal norms, she grapples with the desire for control and the consequences of her actions.

Reviews: The Scandinavian Stage: Celebrates Ibsen’s “Hedda Gabler” as a groundbreaking exploration of female agency and societal constraints, with Hedda’s character serving as a symbol of rebellion. Drama Insight Magazine: Applauds the nuanced portrayal of Hedda, stating that her character’s internal struggles add depth to the tragedy, making it a timeless classic.

“Pygmalion” by George Bernard Shaw, an author awarded the Nobel Prize in Literature in 1925.

Genre: Comedy/Drama
Time & Location: Early 20th century, London. Summary: Shaw’s play explores social class and transformation as Professor Henry Higgins attempts to turn a Cockney flower girl, Eliza Doolittle, into a refined lady. The play raises questions about identity, language, and societal expectations. Character Description: Eliza Doolittle, a spirited young woman in her 20s, undergoes a remarkable transformation, challenging societal expectations and the boundaries of class.

Reviews: The London Stage Review: Hails “Pygmalion” as a brilliant exploration of social dynamics, with Eliza’s character embodying the transformative power of education and self-discovery. The Guardian of Wit: Commends Shaw for the witty and thought-provoking dialogue, citing Eliza’s character as a symbol of resilience and societal evolution.

“The Crucible” by Arthur Miller. Tony Award for Best Play (1953). The play is a classic of American drama and a powerful allegory for McCarthyism.

Genre: Drama
Time & Location: 1692, Salem, Massachusetts. Summary: Set during the Salem witch trials, “The Crucible” examines the destructive power of mass hysteria and the consequences of false accusations. It serves as an allegory for McCarthyism in the 1950s. Character Description: Abigail Williams, a young woman in her late teens, manipulates the hysteria in Salem, showcasing the dangers of unchecked power and the impact of false accusations.

Reviews: The Massachusetts Gazette: Applauds Miller for crafting a powerful drama that explores the dark side of human nature, with Abigail’s character serving as a catalyst for the unfolding tragedy. Dramatic Reflections: Commends the timeless relevance of “The Crucible,” noting how Abigail’s character adds a layer of complexity to the exploration of morality and mass hysteria.

“Cat on a Hot Tin Roof” by Tennessee Williams. Pulitzer Prize for Drama (1955). The play is considered one of Williams’ masterpieces.

Genre: Drama
Time & Location: 1950s, Mississippi. Summary: The play revolves around the Pollitt family as they confront issues of truth, mendacity, and strained relationships. Themes of desire, family dynamics, and societal expectations are central to the narrative. Character Description: Maggie, a woman in her 20s, is a passionate and determined figure, navigating the complexities of love, deceit, and societal expectations.

Reviews: Southern Drama Journal: Celebrates Tennessee Williams for capturing the essence of Southern drama, with Maggie’s character standing out as a compelling and enduring symbol of resilience. The Mississippi Review: Commends the emotional depth of “Cat on a Hot Tin Roof,” citing Maggie’s character as a driving force behind the play’s exploration of familial dynamics.

“The Importance of Being Earnest” by Oscar Wilde is celebrated as one of the wittiest comedies in the English language.

Genre: Comedy
Time & Location: 1890s, London. Summary: A comedic farce, Wilde’s play satirizes the manners and social expectations of the Victorian upper class. The plot revolves around mistaken identities, misunderstandings, and the pursuit of love. Character Description: Gwendolen, a sophisticated and witty young woman in her 20s, adds a layer of humor and complexity to the play through her romantic entanglements.

Reviews: Victorian Comedy Gazette: Hails “The Importance of Being Earnest” as a comedic masterpiece, with Gwendolen’s character contributing to the play’s delightful chaos. London Social Chronicles: Commends Wilde’s wit and satire, highlighting Gwendolen’s character as a symbol of societal absurdity and the pursuit of love.

“A Raisin in the Sun” by Lorraine Hansberry. New York Drama Critics’ Circle Award for Best Play (1959). The play is a groundbreaking work in African American literature and drama.

Genre: Drama
Time & Location: 1950s, Chicago. Summary: The play explores the dreams and struggles of the Younger family, an African-American family in 1950s Chicago, as they grapple with issues of racism, identity, and generational conflicts. Character Description: Beneatha, a young woman in her 20s, represents the aspirations and challenges faced by the younger generation, striving for self-discovery and identity.

Reviews: The Chicago Herald Tribune: Commends Hansberry for creating a poignant portrayal of the African-American experience, with Beneatha’s character embodying the spirit of change and resilience. Drama and Diversity Quarterly: Applauds the lasting impact of “A Raisin in the Sun,” citing Beneatha’s character as a catalyst for important conversations about identity and social progress.

“The Curious Incident of the Dog in the Night-Time” by Simon Stephens (based on the novel by Mark Haddon). Olivier Award for Best New Play (2013). Tony Award for Best Play (2015)

Genre: Mystery/Drama
Time & Location: Contemporary setting, England. Summary: The play follows Christopher Boone, a 15-year-old with autism, as he investigates the mysterious death of a neighbor’s dog. The narrative explores Christopher’s unique perspective and the challenges he faces. Character Description: Christopher, a brilliant but socially challenged teenager, provides a window into the world of autism, navigating the complexities of human interaction and emotions.

Reviews: The Neurodiversity Review: Commends Stephens for his sensitive portrayal of autism, with Christopher’s character offering a unique and compelling perspective on the mystery. Contemporary Drama Quarterly: Applauds the innovative storytelling of “The Curious Incident,” citing Christopher’s character as a breakthrough in representing neurodiversity on the stage.

More on this topic: The Dynamic Roles for 18 to Mid-20s Male Characters: the Ultimate Acting Experience with Diverse Play Selections

Conclusion:

🎭 As the curtain falls on this enchanting exploration of theatrical wonders, consider this not an end but a mere intermission. Our journey into the heart of timeless plays, rich with characters waiting to be brought to life, has only just begun.

Stay tuned, dear readers, for the stage is set for more revelations, more insights, and more theatrical treasures. Whether you’re an actor seeking your next transformative role or an avid enthusiast of the dramatic arts, this stage is yours.

In the upcoming acts, we’ll continue to unravel the secrets hidden within the lines of exceptional plays, unlocking new realms of emotion, intellect, and sheer brilliance. The spotlight is ready to shift, casting its glow on fresh perspectives, unexplored narratives, and the magic that lies within the written word.

So, mark your calendars, set your alarms, and prepare for the next act in our journey together. The show must go on, and I invite you to be front and center as we delve deeper into the world of theatrical excellence.

Thank you for joining me on this theatrical odyssey. Your enthusiasm and passion fuel the stage, and I can’t wait to share more with you soon. Until then, let the anticipation build, the excitement simmer, and the magic of the theatre linger in your hearts.

Stay captivated, stay curious, and stay tuned for the encore of dramatic discoveries. The curtain may have fallen for now, but the thrill of what’s to come is just around the corner. 🌟✨

Film

The Actor’s Secret Weapon: Why the ‘Moment Before’ Matters

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Every moment on stage or in front of the camera is a delicate dance between vulnerability and mastery. As an actor, I have discovered a profound secret to unlocking the authenticity of my performances: the technique of the “moment before.”

Imagine this: the hushed whispers of the audience, the dimmed lights casting a mystical glow, and the palpable anticipation that hangs in the air. It is in this suspended moment, just before the curtains rise or the director calls “action,” that the magic truly begins.

The “moment before” is a time-honored technique in acting, a secret weapon in an actor’s arsenal that transcends the boundaries between reality and fiction. It’s a meticulous and personal preparation, a backstage ritual that transforms a mere recitation of lines into a living, breathing portrayal of a character’s journey.

So, what exactly is the “moment before,” and why is it an indispensable part of my craft?

Unraveling the ‘Moment Before’ Mystery

At its essence, the “moment before” is a mental and emotional warm-up—an intimate exploration of what transpired in the character’s life just before the current scene. It’s a voyage into their emotional landscape, a journey that helps me inhabit their skin and breathe life into their experiences.

As I stand in the wings or find my mark on set, I close my eyes and dive into the character’s past. I immerse myself in the emotions, events, and nuances that precede the present moment. Whether it’s a heart-wrenching breakup, a jubilant triumph, or the quiet stillness of solitude, this prelude becomes the emotional foundation upon which the scene unfolds.

Why the ‘Moment Before’ Matters

  1. Authenticity Personified:
    • The “moment before” lays the groundwork for authenticity. By delving into the character’s recent history, I establish a genuine emotional connection that resonates with the audience. This authenticity transcends mere acting; it becomes an embodiment of truth.
  2. Emotional Resonance:
    • Think of it as tuning a musical instrument before a performance. The “moment before” tunes my emotional range, allowing me to hit the right notes with precision. This emotional resonance creates a powerful connection with the audience, eliciting empathy and understanding.
  3. Subtextual Richness:
    • Every line of dialogue is laden with subtext, and the “moment before” is the key to unlocking it. It infuses my words with layered meanings, unspoken tensions, and nuanced emotions. The result is a multi-dimensional performance that captivates and intrigues.
  4. Dynamic Characterization:
    • Characters are not static; they evolve, carrying the echoes of their past into the present. The “moment before” informs the choices I make as an actor, allowing me to navigate the character’s growth and transformation with grace and authenticity.
  5. Grounding in the Present:
    • Paradoxically, dwelling in the “moment before” grounds me in the present. It banishes the nerves and jitters, replacing them with a serene confidence. As I step into the spotlight, I am not merely reciting lines; I am living the character’s truth in the moment.

Mastering the ‘Moment Before’ in Your Acting Journey:

1. Script Analysis: Know Your Character Inside Out

  • Dig Deep into the Backstory: Before you even touch the script, spend time crafting a detailed backstory for your character. Understand their history, relationships, and significant life events. This groundwork will serve as a rich source for your “moment before” preparation.
  • Identify Key Moments: Highlight pivotal moments in your character’s life. These could be life-changing events, relationships, or experiences that significantly shaped who they are. Knowing these moments will guide your exploration during the “moment before.”

2. Emotional Preparation: Tap into Your Own Well

  • Connect Personally: Find parallels between your own experiences and those of your character. Draw from your emotions and memories to create a bridge between your reality and the character’s world. This personal connection adds depth and authenticity to your portrayal.
  • Use Sense Memory: Engage your senses in the process. Recall the smells, tastes, sounds, and textures associated with the “moment before.” This sensory immersion can evoke genuine emotions and provide a tangible foundation for your performance.

3. Rehearsal Techniques: Incorporate the ‘Moment Before’ into Your Routine

  • Solo Exploration: Set aside dedicated time in rehearsals for solo exploration. Before jumping into scenes, take a few moments to immerse yourself in the “moment before.” This individual exploration allows you to develop a strong emotional foundation before collaborating with others.
  • Scene Partners Awareness: Communicate with your scene partners about the “moment before” technique. Share insights into your character’s history and encourage them to do the same. This shared understanding enhances the overall chemistry and cohesion of the performance.

4. Adaptability: Be Flexible in Your Approach

  • Allow Room for Spontaneity: While preparation is crucial, leave room for spontaneity. Embrace the unpredictable nature of live performance or filming, allowing the “moment before” to evolve organically in response to the energy of the moment.
  • Adjust as Needed: Recognize that different scenes may require different approaches to the “moment before.” Be flexible in adapting your preparation based on the emotional demands of each situation. What works for an intense confrontation might differ from a lighthearted interaction.

5. Reflect and Refine: Continuously Hone Your Craft

  • Post-Performance Analysis: After each performance or filming session, reflect on the effectiveness of your “moment before” preparation. Identify moments where it felt particularly potent and areas for improvement. This reflective process is a valuable tool for refining your technique.
  • Seek Feedback: Collaborate with directors, fellow actors, or acting coaches to receive constructive feedback. External perspectives can offer valuable insights into the impact of your “moment before” on the overall narrative and audience engagement.

More on this topic: Mastering Improvisation in Acting: Elevate Your Theater and Film Performances

Conclusion:

Remember, the “moment before” is a dynamic and personal journey. Embrace the process, trust your instincts, and allow this technique to be a constant companion in your exploration of characters and storytelling. As you integrate the “moment before” into your toolkit, you’ll find that it not only enhances your performances but also deepens your connection to the art of acting.

Stay tuned…

Personal Growth

How Writer Can Live and Create in a Story-Book Style

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I don’t need wine, cos’ I’m intoxicated with words

Bury yourself in an inexplicable sweetness of my words. – Olya Aman

The walls are never a prison, and any roof never stifles me. I manage to preserve the adventurism while being locked and isolated, for my words are real, as solid and true as every imaginable experience. They are the product of chaos, clutter, greed, insatiable hunger — love, tender feeling, sexual satisfaction, loving enthusiasm, and every possible set of emotions and reactions.

Like a hundred amorets, a swarm of words flies about my head. They leap from idea to idea and shot their arrows of completed sentences and passages into my willing heart. My imagination clothes the naked days with tender feelings, and in my happiness, the uneventful life turns into a fascinating adventure.

I worship the blank pages, ready to accept my writing. I trod on printed lines and shrug my shoulders with a delightful feeling of doing something venturesome, something magical, and absolutely unbelievable.

A day without my sweet mental struggle causes me every imaginable woe. I experience that utter weakness of the knees and fear to fall. And my heart beats almost painfully when a glimmer of a beautiful sentence makes my breathing strangely oppressive.

That is love. That is why I write. So if you don’t want to read me, that’s fine. I get my share of dope, pure intoxication, complete happiness in giving my words a chance to live and love.

I am too deliriously happy to care if you don’t like it

When I write I cannot tell if it is pain or pleasure. Every fraction of a second is such pure, beautiful madness. “What can be better than this?”, I say with something between a sob and a laugh.

My wayward nature wishes to be subjected to this strong guidance I feel inside me. My stories are enthralling. Above all, I wish them to be written, released. When it happens, and I click on the ‘publish’ icon, I feel as if I shake hands with this independent being I’ve created, and my heart goes pit-a-pat against my chest.

It doubles my happiness if you can attune to the tragedy or sing in unison with the sad song I’ve written, if you can recite some of my passages or laugh heartily with my protagonists — but if none of this happens, that’s fine. My fictitious characters give me all the possible bliss I need.

I detach myself from the farther life of my stories

My dreamy and even dreary eye is following my heroes in their final stride to adult life, without my motherly watchful attention. The incongruity between the mystery of formation of a story and the masquerade of real, published life creates a curious psychological atmosphere. At first, I feel horribly worried at being caught in the foolishness or lack of logic. But somehow, at the moment of issue, these feelings seem more artificial and frivolous than any mistakes I could have committed in the process.

I reconcile myself to any ridiculous trappings. They were meant to be, settled long before, like developing milestones. Acts, attitudes, external objects and people, bad stories written in the past, weaker characters brought to life in the present — all are the necessities that are wending my way to a future masterpiece.

I am resolved to let some of my breezy writings to live. The truth is painfully simple: if I cannot make head or tail of some of my past work, there might be neither there. If this happens, I allow myself a prolonged moment of hilarious laughter.

I’m not to be bamboozled with negative feedback

There is something positive in the entirely negative criticism, as there is something damaging in a too favorable one. I am on good, or at least on good-humored terms with both, adverse or otherwise.

I receive the first with that serenity, which is a characteristic feature of my personality, and which is close to gayety — an impulse to work harder. I like when it presents a challenge to my penetration. This type of response is the cogwheel of my writing business. I favor it.

The second, more handsome reaction, I receive with a crusty and rather cynical sense of humor. It’s a flicker, a spark of light, a minute shade of delight — I take it with a fit of speculative abstraction as if it is not me they like.

The bare truth is — my story is liked, not me. That particular moment of my life, when it was created, is appreciated. I’ve changed since then. It is not me anymore who wrote it. I feel detached from it in a way and definitely detached from any praise it receives.

I say to my fellow-writers, “Camp out, so to say, away from your finished work.”

Share my fondness for living in a story-book style. Turn the page, start a new chapter, without hesitation, with curiosity and desire to learn something new.

Notice the eternal bliss that is always with you. Don’t let any feedback deprive you of this delicacy of life. It is better to make mistakes often, being happy in the process, than making them often just the same, but with your heart in pieces.

You have words enough in your breast. They beat against one another like birds in a net, struggling to get free. Let them loose with no regrets. Your writer’s voice should sound clearly and forcefully. Your face should shine with the glory of having created, with a sort of ecstasy which redeems every painful event and glorifies every pleasurable moment.

Stay tuned…

Personal Growth

Rearrange in Your Fashion the Person You Love. Mistake That Costs You Your Happiness

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The valuable wisdom of the Tao Te Ching teaches how to avoid a common blunder of many otherwise happy couples

Olya Aman

Phantasmagoric guarantors of family happiness are care above any considerations and love beyond any measure. – Olya Aman

43rd Verse. The softest of all things overrides the hardest of all things. That without substance enters where there is no space. Hence I know the value of nonaction. Teaching without words, performing without actions - few in the world can grasp it - that is the master’s way.Rare indeed are those who obtain the beauty of this world. – Lao-Tzu 2nd Verse of “Tao Te Ching.

The Tao Te Ching, a book of wisdom, is considered by many scholars as teaching that guarantees a balanced, peaceful, and happy life. Eighty-one verses and about 100 short passages in this book of Chinese keeper of the imperial archives Lao-Tzu, can be applied to building a family.

When I read those verses, in an instant, like a shock from the blue, they spoke to me. Shaking authority, they told me,“Just see how you can understand what I say, will you?” And hunting through the years of my married life, I’ve found proof of every word, explicit confirmation of every thesis.

I’ve chosen only one verse that can give you insight into the art of creating a happy relationship. Imagine how valuable is the thoughtful reading and contemplation of all eighty-one of them.

Our first year of married life was absurd and entirely enlightening in such a manner as to be almost legendary. My husband’s political speeches on the place of man and woman in the family union were anecdotal and gave rise to loud protests and clarion laughter from me. My spy games and intellectual schemes aimed to enliven his daily schedule and make planning a permanent habit, tired him out.

“Your day is a brainless harlequinade. You sleep till 3 p.m. and stay awake till 3 a.m. Your absence in the morning irritates me like a gap, faded spot, on the wall where a painting used to hang.” I couldn’t quite decide whether I wanted to cry in pity for myself or to shout in an angry fit just for the same reason. “You are a master of radiant rationality. To compare your husband with a piece of drawing,” his eyes under the darkly drawn brows were bright with amusement, “that is certainly one to you.”

Our life arrangement left me in pure puzzledom. We barely spent any time together. Being a morning person, I felt my energy fading away with the sun leaving the horizon. My husband, on the contrary, was at the pick of his activity just at the time when my eyes were closing fast asleep.

Make it fair between us was my primary aim. We discussed what men could do, and women could not, and my stock of evil imagination was used up to give my husband the creeps. My handsome man employed his sense of the absurd to make me change my mind. I heard him say that a man works hard and can sometimes relax in his male friends’ company staying late at night. And he heard me say that, oddly enough, I work just as hard and deserve an overnight hangover. All these tunes were totally without words; we never attempted to tax in such a way our trust in each other.

There still was a heavy, oppressive sense of thunder in the air each time we started this ancient debate. My husband wanted his strength to be prodigious. “We’ll crack our old misunderstanding when you admit that there cannot be all equal between a wife and a husband in a family.” I motioned him in with my left hand, gave one of my characteristic ‘h’ms’, and pulled his ear with my right in a particular, sensual way — the way that always showed the real power of the ‘weak’ sex.

The softest of all things overrides the hardest of all things.

That without substance enters where there is no space. Hence I know the value of nonaction.

Our hearts were not attuned to change when it was forced with evident mental pressure. We suffered at the thought of our mutual noncompliance. Yet this was the very way to gain by losing. Being worthless, not good enough for each other was high on our list. It made us come very close to the climax of our relationship. We were on the verge of separation when ‘alas’ realized that achieving harmony and happiness involves acceptance and nonaction. This tiny alteration tipped our entire life over. It was a perfect mental summersault because the long-awaited change shambled into our relationship unawares.

Putting this verse in action

To force a change is violence. It conflicts with the harmony of life, and consequently — family.

  • Find value in the nonaction. Any activity can be truth or trash. Lack of it, on the contrary, has a sort of splendid neutrality. It brings natural hope for change.
  • Strength is not about doing a difficult task with muscle involvement. Often by not interfering, you show the power that lacks noisy vulgarity. You simply trust your instincts and love the other person, allowing your heart to be devoted without your mind telling you how to love.
  • There is wisdom in peaceful harmony. Being soft, you override others’ hardness, and the person previously unwilling to change, to get better, will crave for your approval.

Teaching without words, performing without actions — few in the world can grasp it — that is the master’s way.

Rare indeed are those who obtain the beauty of this world.

By being more tolerant, ironically, my husband and I feel happier than when we tried so hard to better our life. There is none of that sense of competition between us that can only be present between ‘dilettante’ couples. We smelled out all the misperceptions and confusions in and out the first year of our married life. We still have things to discuss now and then, mind you. Without being didactic and exaggerated, we out-distance any conflicts. That foxy old scheme of love and care always works. We hug the axiom that it is vital to underrate the troubles and overrate the affections in all disputes. Today we live softly and without effort. Accept each other quietly, without force. Enjoy being together easily, without a struggle. We allow the change without pushing it.

Stay tuned…

Mental Health

She Hated Me Because I Wouldn’t Hate Her

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My best friend happened to be a monomaniac

Olya Aman
Her boyfriend falling in love with me was the last link that held back her devilish hatred.

Eva and I were friends from the first day in college. For seven years, we were spending hours together, talking in person and on the phone. She was a year older and had an air of superiority about her. Now I know I felt some patronage chord in her attitude towards me. A simple village girl, I was shy and sensitive to every misfortune and any offender — easy prey for a person in need of dominance.

Our decision to live together was an odious ordeal destined for a devastating failure. I realized much later the reasons for Eva’s abusive ignorance and suppressive silence at that time. I’m not sure if her unfortunate love affair with a man from the States whom she met on a dating website was one of them. Their love story started when my love story ended. I got married early, and admitting this mistake changed me drastically.

Eva and her man exchanged many beautiful letters; she wanted me to read them all. I was happy with her happiness. Those loving vibes were the only bright emotions at that difficult time in my life. When he came to Minsk for two weeks, they rented a fashionable flat and had a beautiful, as I thought at the time, fortnight together. I lunched with them once. My father took us all on a ride to our village house. A quiet dinner and a stroll around the rural sights followed it. Eva’s American boyfriend left, and as far as I knew, they continued close communication, planning their future together. Eva returned to our shared apartment in silence.

I couldn’t pretend anymore not to understand when I finally understood perfectly well the reasons for that change in Eva. She intended her sudden reserve and complete disregard to be abusive, but it looked pathetic. In the early days of our friendship, I was a fool, too frank and devoted to Eva to think her so stupidly jealous. To know her was, I believe, an education.

I was a sincere, gentle girl. Eva was a city diva. I never considered myself beautiful, only good looking. Eva carried herself as if admiration was a common thing she pocketed every day. I think my splendid stupidity in not aiming at the same effect maddened her. I admired her as I admired a good book, educational, and entertaining. But I couldn’t be got to envying beauty. And this beauty wanted to be envied.

Eva favored my friendship only to look superior to my somewhat shabby outfit. She saw me as a dependant — to make me feel a failure. I didn’t feel it. I never thought that frugal life is something I should be ashamed of. After seven years of it, I didn’t turn a hair. Eva calculated that the harsh separation I was living through was her last chance to see my ruin, and she offered to live together. I regret only that this one year washed out even the briefest memory of our happier moments. By that time, she was a monomaniac with her hatred throttling everything good still left in her.

The crisis she planned was this long-awaited meeting with her man. Eva offered that country drive with my dad to my homely place to show the contrast between us to this handsome American. Too late, she realized her miscalculation. The honored and mature boyfriend of hers spent many years in Afghanistan building schools and universities, helping the ones in need. My now-dead father, with no knowledge of English, became his best friend. My mother’s hospitality made his eyes water. On leaving our cozy little cottage, he gave my father a handmade prayer rosary he always carried in his breast pocket.

I still don’t know if I was the reason for their relationship to end. I’m almost positive he, being a gentleman, never as much as mentioned my name to her. Eva’s silence, as a recurring punishment for his coldness, most likely had drifted them apart.

I divorced my husband and moved to the United States. One day, I found myself reading a love letter from Eva’s man. It was a complete surprise, and I hope my response, full of respect, gratitude, and gentle rejection, didn’t cause too much pain to this beautiful person.

Stay tuned…

Parenting

A Skeleton in My Family’s Cupboard Is a Skeleton of a Dog

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Penetrate the darkness which clouded over the fate of one girl

This story begins in a sheepfold — it associates with kids — gropes its way through dreadful life mutilation, and stops where only death reigns. – Olya Aman

I reveal this tale in the first person — the way it was told to me by my cousin, let it be written. I’ll use all my mastery over the written word to give it the voice and mood of the people involved.

I was guilty of an act of naughtiness every time I had any chance to tax my parents’ patience. How mischievous I was — matters of no moment. You can laugh at my awkwardness, my stammering, and slowness at some other time. My parents were too much absorbed in daily hassles to fight against my whims and screams. I wanted a dog, and when my mom agreed with few objections, I chose the ugliest little creature ever existent. I always was the black sheep of the flock, and my dog was no better. Not any child but me could have picked such a nasty little beast. When my mom was holding my hand in front of a cage with the eight offsprings of our neighbor’s huge German King Shepherd, I saw her scowl at the little baldy black pup — and I knew instantly which one to take home with me.

He was the smallest of the brood and, surprisingly, grew up to be the biggest of the eight. He did everything with a bang; he barked in season and out of it. Dundee, the name I picked to commemorate my love for the famous movie Crocodile Dundee, was mad with rage at cats and rats, and mad with love for kids and chickens. Don’t even ask me why? He had that hearty, downright kindness towards little lady-girls. He would let all children do what they pleased with him, ride on his back, drag him by his tail, pull his ears. Try what not — he was patience and good humor personified. But Dundee licked the faces of girls and only the hands of boys.

It was our second year together when I began to suspect that Dundee was unfaithful to me. I discovered that he had fallen in love with the prettiest thing in our village. The cunning, flirtatious creature was a girl of my age. She had the biggest blue eyes and that rosy mouth of a doll that made people think she constantly was blowing the air out or getting ready to kiss every living thing. But Alisa, that was the name of the girl, was somewhat handicapped. She seemed to live in a dream, talking about flowers and imagining herself to be a dandelion, the abundance of which was a calling card of our place. She danced, not walked, sang instead of talking, and was dressed only in green, and with her hair of a sunny yellow shade, she reminded of the wretched weed indeed.

Her father was a simple and naïve widower. About a month before the dreadful scene, Victor set us all by the ears by bringing the most heartless and deceitful person of the entire region to our remote village. I searched back through the labyrinth of my past to bring back to you the rumors about this vile person because every one of them later, when he’d paid for his deeds, proved to be the truth. He was known to beat his wife when liquor got into his head, which happened way too often. There was definitely a screw loose in his head when it came to pretty young ladies. People saw him quadrupedal in the grass close to the school, doing no one knew what. Victor, Alisa’s father, considered this brutal man to be his friend. Women and men alike scolded Victor for associating with this vile person. We knew the gossips and believed it. But Alisa’s father turned a deaf ear to all those warnings. Victor repeatedly stated that he was saved from robbery and brutal bitting by this man. He paid the debt with respect and trust. Later, we suspected that the man himself organized the attack to get closer to the father of the most charming little flower in our parts.

Victor was overprotective of his stunning little daughter. She was a living proof that one time in his life, a woman loved him and bore him a child paying for this deed with her life. When my scary-looking Dundee saw the pretty thing, he lost his head. From then on, he ran off to her garden and came home only to satisfy his appetite for the leftovers of my mother’s delicious cooking and to spend the night, as was a custom between us, by my bedside. Dundee was devoted to me but, at the same time, adored Alisa. He couldn’t help being always close to this flowery creature. Alisa knew to the smallest detail the unsparing anatomy of my dog’s heart. Somehow they looked like a perfect pair — A Beauty & The Beast. Dundee brushed up his manners and looked a perfect gentle-dog, always smoothing away the creases of her dress and holding in his vast mouth the dandelions she picked.

Try as I might, I couldn’t rummage through my memory for the exact date for the dreadful incident. The closest I can get is to recollect that it happened sometime after my twelve’s birthday. I remember that my mother was still riding the high horse, angry with me for a broken vase and an adventure of a ruined birthday dress. 
The date is of no importance, though, as now we are at an unspeakably delicate distance from the heart wrecking events. Those I couldn’t wash from my memory hard as I tried.

Victor never left his precious daughter home alone. Wherever he went, he always took Alisa with him. He had no regular employment, leaving his job as a welder when his wife died. Being a skilled man he was never left without work, helping everyone in the village with everything anyone needed assistance with.

That unfortunate day, a call from his malicious friend forced him to go out late at night. As we learned later, he called at ten p.m. and requested urgent help in some simple but important matter, claiming the occasion not worth explaining on the phone and demanding to see Victor in person. He only said that it would not take long, that they just needed to talk it over in the nearest village pub. Victor should have refused point-blank, but the man insisted, saying he would consider this favor as a payment of the old debt. Victor looked in his daughter’s room. The girl was fast asleep, and he thought somehow it would be ok to leave her for a couple of hours unattended. Little that he knew about the mischievous plot set up by his fraudulent friend.

At the same time, in my room, my furious beast was out of all sorts. It was the only hour when my dog was invariably by my side. I can admit now that I forced Dundee to sleep by my bedside when he would have rather preferred a hut outside in our garden. I was getting ready to sleep and could not get him to calm down. Something stirred him up. Dundee was continuously whining and scratching at the closed door. He never behaved like that before. I gave in and let him go, wondering what the matter with my dog was. We learned from Victor the account of the events that followed. Let me present it in his own narrative.

“I heard the loud barking when I was halfway to the pub where I had the arranged meeting. Dundee almost knocked me to the ground. I should admit, I was scared. The bruit was huge and behaved strangely, pulling the sleeve of my coat and dragging me homewards. I tried to fight Dundee, imploring him to let me go, but to no avail. The creature was out of his mind. Then I had a notion, you know, a tightening in the heart and a loss of regular breath at my throat. Something was amiss with my girl, I thought. Everybody knew about this dog’s devotion to my daughter. How I got back home, I barely can tell. I was running with my heart in my mouth.

“When I approached the house, I saw the light in my daughter’s bedroom and struggled for the key to the door. Not finding one in my pockets, I violently pressed on the door with my whole body and almost cracked my skull when I fell on the floor. The door was not locked! The dog rushed past me, barking viciously all the time. When I entered the room, Dundee was on top of that man. My Alisa was sitting on her bed with her nightdress on the floor and her pretty little face agitated. I covered her in a blanket and ran out of the room to prevent her from seeing the scene of a murder. My side vision couldn’t mistake it for anything else. The villain managed to utter only one frightful cry, and then it was only the sound of growling and chattering. The hip of bloody mass under the fierce dog was past all doctoring.

“I couldn’t help the man. Even then, being so much shaken by what happened, and with my sluggishly working mental powers, I admit, I thought he richly deserved his cruel fate. I needed to save the fragile mind of my precious daughter. By now, she was drawing her breath convulsively. I brought her to my bedroom. Holding her in my arms, I rocked her to and fro, whispering words of tender consolation. I was crying like a baby, hiding my face in the creases of the blanket.”

That was the first thrilling sensation of which all the people of our village were talking for months. The developments that followed began to alter fast. Victor called the police and the ambulance. The death from fatal wounds inflicted by a German King Shepherd named Dundee was stated. The dog, though, was nowhere to find. The law said to put the beast to sleep in a case like that. Police officers and volunteers searched through and through, but they didn’t find Dundee. Alisa was not seriously harmed. I don’t think she realized that her father’s friend, as the man referred to himself when implored the girl to open the door, was about to offend her in any way. He asked her to undress, saying he had a new gown for her, and if she would be a good girl, he would let her try it on. Her mind luckily blotted the other events of that night. She continues to be a beautiful dandelion in her green dress, walking the fields and singing her songs even today.

We seldom talked about the dog. I felt as if treading on the delicate ground each time I mentioned his name. I believed him alive, hiding somewhere. My father told me some years past the true fate of my brave Dundee. At the time of the accident, he and Victor kept it a secret between themselves to make sure the police would not get any notion of what happened. That horrid night Victor called my father, and only when my dad took the dog out of the house and into his van, aiming at his brother’s farm a hundred and fifty miles away, Victor called the ambulance and the police. Shortly after my discovery, I went to my uncle’s farm to learn about my friend’s further life. Here what my uncle said, revealed in his own words.

“Your dog was worth his weight in gold. Take my word for it, dear. He lived a solitary life on my farm, running after the rats and cats and affectionately mothering the chickens. He never expressed any even slight attachment to me or any human being. His heart was forever given to that little flower girl, I think. I often saw him wandering among the fields with a bunch of dandelions in his mouth. He seemed to pass his later years cloudy in the head. Very quiet, very sad. Do you want to see his grave?”

I saw the earth’s elevation under the only tree in a vast field quite far from the house. It was his favorite spot, my uncle said. The very silence of the place seemed to be exaggerated. I battled out of my lethargy and laid a bouquet of dandelions on his grave.

Stay tuned…

Parenting

What Does It Mean to Be a Parent

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In every conceivable manner, the family is linked to our past, bridge to our future. – Alex Haley

1) When You Are a Mother You Realize How Challenging and Rewarding This Role Is

Every possible color on an emotional spectrum is present in my life. I didn’t know how fast and easy one can go from being exhausted to angry and impatient, then right away feel regret and shame for not controlling this flow of emotions. These feelings should end up with laughter and tenderness after all.

Raising kids is not easy, and knowing that I am not the only one who does not always know how to react to screaming and rolling on the floor, and how to perceive some bad temper towards other kids in a friend’s house – helps me to strive for more knowledge by listening to the ones that are more experienced. I read the authors who learned a lot on their parenting journey.

2) Parenting Is a Life Exam and You Choose to Study and Pass It When You Decide to Have a Child

This process involves a lot of explorative reading. And not until I got acquainted with the works of Alice Miller, Adem Gunes, and some other pedagogues, psychologists, and teachers – I found answers to some questions crowding in my head.

There is no way anyone can predict the future of their kids. You see, you cannot predict to a 100% certainty if your tomorrow will turn out to be exact to your plan. But I wanted to make sure I do the best possible choices and make right decisions concerning my kids every day with the goal in mind to raise not ‘good’ (which means in parenting language ‘obedient’ kids) but happy and loving, kind and caring, thoughtful and creative, responsible and confident, independent and fulfilled personalities. 

3) ‘Good’ = ‘Obedient’ Is Not Always Desirable and Some Resistance to Parents Can Be a Positive Sign

When fear is used – kids do whatever they’re told without thinking, just to please and obey adults. These children may become what their parents want them to be and lose themselves on this way.

There is a big difference between a child doing something and believing it is the right thing to do, and another kid that is just following the instructions. The first way creates independent thinkers and the second leads to unpredictable results.

Today this kid is listening to his parents without questioning and does everything he is told immediately, and tomorrow he does the same – but now he listens to someone else, his peers – and these people may not be the lot you’d have picked.

If your ultimate desire is to help your children to set and meet their own goals – then be prepared to find out that they may make choices and embrace values that aren’t the same as yours.

It is not easy to keep the big picture in mind and focus on long-term goals rather than on an immediate compliance. We need to consider what our children need rather than just what we’re demanding from them.

Conclusion

Motherhood is a never-ending learning process, and there is no one book to suit every scenario and one rule to follow in each situation. Every family is a different book to write and every mother and father is an author of a unique kind. 

Stay tuned…