Tag Archives: #writer

The Walls Are Never a Prison

I don’t need wine, cos’ I’m intoxicated with words

Bury yourself in an inexplicable sweetness of my words. – Olya Aman

The walls are never a prison, and any roof never stifles me. I manage to preserve the adventurism while being locked and isolated, for my words are real, as solid and true as every imaginable experience. They are the product of chaos, clutter, greed, insatiable hunger — love, tender feeling, sexual satisfaction, loving enthusiasm, and every possible set of emotions and reactions.

Like a hundred amorets, a swarm of words flies about my head. They leap from idea to idea and shot their arrows of completed sentences and passages into my willing heart. My imagination clothes the naked days with tender feelings, and in my happiness, the uneventful life turns into a fascinating adventure.

I worship the blank pages, ready to accept my writing. I trod on printed lines and shrug my shoulders with a delightful feeling of doing something venturesome, something magical, and absolutely unbelievable.

A day without my sweet mental struggle causes me every imaginable woe. And my heart beats almost painfully when a glimmer of a beautiful sentence makes my breathing strangely oppressive.

That is love. That is why I write. So if you don’t want to read me, that’s fine. I get my share of dope, pure intoxication, complete happiness in giving my words a chance to live and love.

I am too deliriously happy to care if you don’t like it

When I write I cannot tell if it is pain or pleasure. Every fraction of a second is such pure, beautiful madness. “What can be better than this?”, I say with something between a sob and a laugh.

My wayward nature wishes to be subjected to this strong guidance I feel inside me. Above all, I wish my stories to be written, released. When it happens, and I click on the ‘publish’ icon, I feel as if I shake hands with this independent being I’ve created, and my heart goes pit-a-pat against my chest.

It doubles my happiness if you can attune to the tragedy or laugh heartily with my protagonists — but if none of this happens, that’s fine.

I detach myself from the farther life of my stories

My dreamy and even dreary eye is following my heroes in their final stride to adult life, without my motherly watchful attention.

I reconcile myself to any ridiculous trappings. Acts, attitudes, external objects and people, bad stories written in the past, weaker characters brought to life in the present — all are the necessities that are wending my way to a future masterpiece.

I am resolved to let some of my breezy writings live. The truth is painfully simple: if I cannot make head or tail of some of my past work, there might be neither there. If this happens, I allow myself a prolonged moment of hilarious laughter.

I’m not to be bamboozled with negative feedback

There is something positive in the entirely negative criticism, as there is something damaging in a too favorable one. I am on good, or at least on good-humored terms with both.

I receive the first with that serenity, which is a characteristic feature of my personality, and which is close to gayety — an impulse to work harder.

The bare truth is — my story is liked, not me. I’ve changed since then. It is not me anymore who wrote it. I feel detached from any praise it receives.

I say to my fellow-writers, “Camp out, so to say, away from your finished work.”

Share my fondness for living in a story-book style. Turn the page, start a new chapter, without hesitation, with curiosity and desire to learn something new.

Notice the eternal bliss that is always with you. Don’t let any feedback deprive you of this delicacy of life. It is better to make mistakes often, being happy in the process, than making them often just the same, but with your heart in pieces.

You have words enough in your breast. They beat against one another like birds in a net, struggling to get free. Let them loose with no regrets.

The Bench Among the Sunflowers

Know the difference between distractive loneliness and desired solitude

My kind of loneliness rather aggravated than relieved the gloom of my life. – Olya Aman

I stole cautiously towards my secluded bench in the middle of a little island of sunflowers in their utmost bloom and richness of color. One would be almost invisible amongst those kingly looking plants with their golden crowns and massive leaves.

My face during that tough, lonely period of my life was a good deal over-serious for my two and twenty. I was well-nigh alien to this stunning and bewildering scene. My gloominess quite confounded the senses.

I looked at the boy on my bench, my neighbor, in mute and timid wonder. How did he end up on my patch? The intelligence that shone in the deep green eyes of this autistic boy, when I finally had a chance to look into them, seemed scarcely of his age, or of the world. The changing expression of good humor and seriousness, his ability to blush very red to the ears, made me admire a thousand lights that played about his face.

When I rented a small cottage in this remote village, I took no notice of other people and very little of this boy, although we were house to house neighbors and met often coming out and getting in our homely places, both thresholds facing each other. I seemed hard upon my thoughts, constantly looking down as if examining my boots and the ground right under my feet.

That day I smiled at this boy and said a word of polite greeting, but he, dedicated to his thoughts, didn’t respond. I discovered that this ability to concentrate made him a fantastic listener. At that moment in my life, he became my salvation. I was pouring on him a torrent of personal sentiments.

Not looking at me, he said, “L.. l.. l..”, then a long pause. The boy had a severe stammer. Finally, he produced his name in an unusually deep baritone, “Liam”. We communicated in notes from his side and words from mine. The first thing he wrote was, “You are lonely.” And he was right.

I told him my love story and although he avoided any eye contact and scribbled something in his little journal all the way; I knew he was all ears.

“I am in love with a dead person. If I knew him longer, I could have loved him longer. I miss his clear and pure miniature skies under the arch of his eyebrows. Only in his company I felt no need to think of what to say. Every moment of silence was a blessing, every word uttered was a revelation. He poured out more treasures of his luxurious inner nature in one minute than anyone else could’ve done in his entire life.” Liam brushed tears from my cheeks with his checked handkerchief. It was so old and soft, as if a tender touch of a mother.

“Only two years I spent in this blissful state. He missed our second anniversary. He‘d been run over by a car.”

Liam handed me a note with the following question, “Do you feel that your happiness is owing to him, and without his presence, your existence lacks purpose?” This boy could read my heart.

We met every day on that same bench. I was talking; he was scribbling. I said to Liam that I voluntarily chose isolation. I nurtured the notion I differed from all other people that surrounded me. I saw the world in clouds and fogs rather than in colors and vibes. I perceived people as rough creatures, not fit to understand my pain and be my companions.

I busied myself diving in my newly formed plan of moving to the village and burring my over-drained mind in simple farm occupations that required no thinking but just hard physical work. I used to have the vastness of feelings to lose myself in. Now I tried to be forgotten and forget.

When at home I felt my words thrown out, conversations started and no one to address them to. I used to defend myself tragically in an empty room in front of an imaginary lover. My bitter remarks dashed in vain against empty walls. I ate and drank, but it didn’t put any heart in me.

I couldn’t sleep, the night was fast closing, not gifting me with rejuvenating rest. I carried myself with the air of a weary person, feeling the claws of depression pressing harder on my chest. I had no tools to cope with stress, life attractions seemed to be hidden from my eyes. I found it harder with each day to approach people.

Liam listened. When I was done, he handed me his journal and smiled.

Liam handed me his journal. He had written only a few lines.

“There is a difference between loneliness that drains your spirit and solitude that restores it. You are not seeking peaceful solitude. You are hiding inside painful loneliness.”

He paused before writing again.

“Open the door to people, even if only a little at a time. Let someone sit beside your silence. Speak when you are ready. Listen when others speak. We belong to one another more than we think.”

He looked at me for a long moment, then added one final sentence.

“Give love without measuring it. It almost always finds its way back.”

Friendship, which before these days seemed impossible, crept in my life accompanied by blithesome music of this boy’s kind heart. That music taught me to value the treasures of the heart over any material possessions. I stopped feeling superior over others, admitting that I had tons to learn from simple people with little to boast of in terms of monetary luxuries, and so much in terms of values of the heart.

When I let myself be open to the truest, warmest, soul-felt gratitude — I saw more smiling faces around. The reason was simple — the charming smile found its way to my face, and even though I had forgotten how to wear it, my gentle nature was always ready to master every positive skill all over again. I learned to share the devotion and affection of my nature so long locked and sealed inside my soul. This transformation brought deep and lasting relationships with other people.

My mind was firmly set on never to return to the sorrow and calamity of my past distractive life apprehensions. I intended to not let my positive spirit tarnish. My long suffered heart found the perfect formula for happiness, and the key element in it was a strong connection to other people.