#writersworld | Olya Aman

I don’t need wine, cos’ I’m intoxicated with words

Bury yourself in an inexplicable sweetness of my words. – Olya Aman

The walls are never a prison, and any roof never stifles me. I manage to preserve the adventurism while being locked and isolated, for my words are real, as solid and true as every imaginable experience. They are the product of chaos, clutter, greed, insatiable hunger — love, tender feeling, sexual satisfaction, loving enthusiasm, and every possible set of emotions and reactions.

Like a hundred amorets, a swarm of words flies about my head. They leap from idea to idea and shot their arrows of completed sentences and passages into my willing heart. My imagination clothes the naked days with tender feelings, and in my happiness, the uneventful life turns into a fascinating adventure.

I worship the blank pages, ready to accept my writing. I trod on printed lines and shrug my shoulders with a delightful feeling of doing something venturesome, something magical, and absolutely unbelievable.

A day without my sweet mental struggle causes me every imaginable woe. And my heart beats almost painfully when a glimmer of a beautiful sentence makes my breathing strangely oppressive.

That is love. That is why I write. So if you don’t want to read me, that’s fine. I get my share of dope, pure intoxication, complete happiness in giving my words a chance to live and love.

I am too deliriously happy to care if you don’t like it

When I write I cannot tell if it is pain or pleasure. Every fraction of a second is such pure, beautiful madness. “What can be better than this?”, I say with something between a sob and a laugh.

My wayward nature wishes to be subjected to this strong guidance I feel inside me. Above all, I wish my stories to be written, released. When it happens, and I click on the ‘publish’ icon, I feel as if I shake hands with this independent being I’ve created, and my heart goes pit-a-pat against my chest.

It doubles my happiness if you can attune to the tragedy or laugh heartily with my protagonists — but if none of this happens, that’s fine.

I detach myself from the farther life of my stories

My dreamy and even dreary eye is following my heroes in their final stride to adult life, without my motherly watchful attention.

I reconcile myself to any ridiculous trappings. Acts, attitudes, external objects and people, bad stories written in the past, weaker characters brought to life in the present — all are the necessities that are wending my way to a future masterpiece.

I am resolved to let some of my breezy writings live. The truth is painfully simple: if I cannot make head or tail of some of my past work, there might be neither there. If this happens, I allow myself a prolonged moment of hilarious laughter.

I’m not to be bamboozled with negative feedback

There is something positive in the entirely negative criticism, as there is something damaging in a too favorable one. I am on good, or at least on good-humored terms with both.

I receive the first with that serenity, which is a characteristic feature of my personality, and which is close to gayety — an impulse to work harder.

The bare truth is — my story is liked, not me. I’ve changed since then. It is not me anymore who wrote it. I feel detached from any praise it receives.

I say to my fellow-writers, “Camp out, so to say, away from your finished work.”

Share my fondness for living in a story-book style. Turn the page, start a new chapter, without hesitation, with curiosity and desire to learn something new.

Notice the eternal bliss that is always with you. Don’t let any feedback deprive you of this delicacy of life. It is better to make mistakes often, being happy in the process, than making them often just the same, but with your heart in pieces.

You have words enough in your breast. They beat against one another like birds in a net, struggling to get free. Let them loose with no regrets.

To linger here or to feel that you belong… — Olya Aman

T. is a lean, long-backed, large-headed Lebanese, with surly tones of his voice and coarse features of his face. We scour the country together every now and then: I—on my feet and he—on his wheels. His wheelchair is a speedy little beast, accelerated by his mighty hands and skillfully maneuvered by his flexible torso.

T. is my dear friend. You would never believe looking at his expressive and full of exhilarating energy face, that death had been hovering over him just three years ago.

The dark night in T.’s life crept slowly on, unexpected and unwelcomed. The sun rose and sank, and he was dwindling away beneath the dry and wasting heat of fever.

A weak, thin, and pallid face was looking at him from the multi-squared mirror lights of the hospital ceiling. Outside the window strangers in and out, smiling and crying, old folks and newborns—all colors of countenances and personalities were passing through his painful perception for forty-three thousand agonizing wakeful minutes of his confinement to the bed.

When starting to sit down to his meals, still dispirited and sad, the realization that the chains of grief were the heaviest of all fetters came to T.’s mind. The belief in a higher intelligent plan and purpose was still holding him tight, not letting him sink into that despair completely.

T. needed to return to the world he belonged. Hour by hour the drop of every happy memory brought back first feeble streams of life. The fairest consolation came in disguise of a prayer. He applied himself with assiduity to the task of reviving his inner and outer strength so his family could be proud of him.

He made off as fast as he could to lay his spirits to the ground and managed to get himself out of the bed and on his wheels with surprising speed. Every morning he called before his mind’s eye a vast amphitheater of loving faces of his dear people.

He didn’t feel his legs anymore, but that missing part of his body was substituted by strains of overly agitated nerves of his arms and spine. He followed on the track of strengthening his torso every instant he felt the need to hue-and-cry to the missing limbs.

T.’s life hanged heavy on his hands even before the turning point that left him without legs. Being 32-years-old, he had been poring over various subjects. It seemed a matter of impossibility to center his life around fitness and body healing strategies now when he lost almost half of it, but this idea was firmly impressed upon his mind. T. became transfixed with the desire to achieve the heights he didn’t even think possible for his fully-functional healthy past-self.

He set his heart firmly on a goal to become a physical therapist working in amputee rehabilitation. He became a world known inventor of dynamic specific strengthening exercises that flex and tone the muscles. His online teaching courses are empowering. His own experience gives him psychological advantage to motivate people who suffered a loss to set goals and move on with their lives.

The impressive stateliness that radiated from T. was adopted from his mentor. The simplicity of his mentor’s life stirred T. profoundly. This person was happy, chasing his dreams and loving his family. With neither legs nor arms he was shining with heart strength and will-power. Every trace of T.’s essence strove to be worthy of the second chance he was given.

T. still had a realizing sense of his weakness and captivity. But he was recovering his life-balance by an effort of willpower and desire to set an example for others.

He conveyed a message that whatever happened to him was not a run of ill-luck but a fortunate wakeful blessing. He shared many talks on how to accept the past and devotedly love your-past-self and present-self.

He received many compassionate comments on his media channels. The influence which his sincere contented personality exercised was deep and lasting. People saw a humble person just like themselves, never repenting on his helplessness, but actually claiming to be powerful enough to uplift his own spirit and inspire others to do the same.

Actress / Writer / Producer